1. Writing the Performance: Stage Directions and the Staging of Sor Juana's Los empeños de una casa
  2. Catherine Larson
  3. pp. 179-198
  4. DOI: 10.1353/boc.1990.0002
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  1. Animal Imagery in Lope de Vega's Fuente Ovejuna
  2. Diane Chaffee-Sorace
  3. pp. 199-214
  4. DOI: 10.1353/boc.1990.0004
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  1. Love is no Laughing Matter (No hay burlas con el amor) (review)
  2. Vern G. Williamsen
  3. pp. 215-217
  4. DOI: 10.1353/boc.1990.0006
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  1. Comedia: Art and History (review)
  2. Edward H. Friedman
  3. pp. 217-218
  4. DOI: 10.1353/boc.1990.0008
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  1. Fuente Ovejuna (review)
  2. Michael McGaha
  3. pp. 218-220
  4. DOI: 10.1353/boc.1990.0010
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  1. The Devil's Slave (review)
  2. Matthew D. Stroud
  3. pp. 220-222
  4. DOI: 10.1353/boc.1990.0012
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  1. Writing in the Margin: Spanish Literature of the Golden Age (review)
  2. Alison Weber
  3. pp. 222-224
  4. DOI: 10.1353/boc.1990.0001
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  1. Myth and Mythology in the Theatre of Pedro Calderón de la Barca (review)
  2. A. Valbuena-Briones
  3. pp. 225-227
  4. DOI: 10.1353/boc.1990.0003
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  1. Approaches to Teaching Spanish Golden Age Drama (review)
  2. Alix Ingber
  3. pp. 227-229
  4. DOI: 10.1353/boc.1990.0005
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  1. Comedias en Madrid, 1603-1709. Repertorio y estudio bibliográfico (review)
  2. Karl C. Gregg
  3. pp. 229-230
  4. DOI: 10.1353/boc.1990.0007
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  1. Comedias sueltas sin pie de imprenta en la Biblioteca del "Institut del Teatre" (Barcelona) (review)
  2. Szilvia E. Szmuk
  3. pp. 230-232
  4. DOI: 10.1353/boc.1990.0009
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  1. Cumulative Index to the Comedia Bibliographies Volumes 38-42 // 1986-1990
  2. Szilvia E. Szmuk, David J. Billick
  3. pp. 311-346
  4. DOI: 10.1353/boc.1990.0000
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