1. Dirty Dancing: Salome, Herodias and El retablo de las mara villas
  2. Cory A. Reed
  3. pp. 7-20
  4. DOI: 10.1353/boc.1992.0027
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  1. Re-Writing in the Margins: Caro's Valor, agravio y mujer as Challenge to Dominant Discourse
  2. Amy R. Williamsen
  3. pp. 21-30
  4. DOI: 10.1353/boc.1992.0031
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  1. Theme and Symbol in Calderón's La hija del aire
  2. Everett W. Hesse
  3. pp. 31-43
  4. DOI: 10.1353/boc.1992.0035
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  1. Love Melancholy in La quinta de Florencia
  2. Debra Collins Ames
  3. pp. 45-58
  4. DOI: 10.1353/boc.1992.0016
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  1. Asymmetry and the Spectator's Experience in Calderóns El médico de su honra
  2. Robert M. Johnston
  3. pp. 59-71
  4. DOI: 10.1353/boc.1992.0019
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  1. The Dual Levels of Antonio Hurtado de Mendoza's Cada loco con su tema
  2. Anita K. Stoll
  3. pp. 73-84
  4. DOI: 10.1353/boc.1992.0022
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  1. La dinámica del discurso dramático en La Estrella de Sevilla
  2. Jesús García-Varela
  3. pp. 85-102
  4. DOI: 10.1353/boc.1992.0025
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  1. Emblematics in Calderón's El médico de su honra
  2. John T. Cull
  3. pp. 113-131
  4. DOI: 10.1353/boc.1992.0033
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  1. Discourse and Class in El Alcalde de Zalamea
  2. Carolyn Morrow
  3. pp. 133-149
  4. DOI: 10.1353/boc.1992.0037
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  1. "Tuya soy": The Economics of Marriage in Cervantes's Entremés del rufián viudo llamado Trampagos
  2. Jean Graham-Jones
  3. pp. 151-161
  4. DOI: 10.1353/boc.1992.0018
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  1. The Dances of the Processions of Seville in Spain's Golden Age (review)
  2. Charlotte Stern
  3. pp. 163-165
  4. DOI: 10.1353/boc.1992.0021
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  1. Espectáculo, texto y fiesta. Juan Ruiz de Alarcón y el teatro de su tiempo (review)
  2. Willard King
  3. pp. 165-167
  4. DOI: 10.1353/boc.1992.0024
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  1. Calderón y el Barroco: Exaltación y engaño de los sentidos (review)
  2. Teresa S. Soufas
  3. pp. 167-169
  4. DOI: 10.1353/boc.1992.0028
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  1. El teatro español del siglo de oro: métodos y enfoques críticos (review)
  2. Amy R. Williamsen
  3. pp. 169-172
  4. DOI: 10.1353/boc.1992.0032
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  1. Eléments pour une théorie du théâtre espagnol du XVIIe siècle (review)
  2. Thomas Austin O'Connor
  3. pp. 172-174
  4. DOI: 10.1353/boc.1992.0036
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  1. Visions of the New World in the Drama of Lope de Vega (review)
  2. Chester S. Halka
  3. pp. 175-176
  4. DOI: 10.1353/boc.1992.0017
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  1. Peribáñez and the Comendador of Ocaña (review)
  2. Michael McGaha
  3. pp. 176-178
  4. DOI: 10.1353/boc.1992.0020
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  1. Claves de "La verdad sospechosa." Juan Ruiz de Alarcón (review)
  2. Willard King
  3. pp. 178-180
  4. DOI: 10.1353/boc.1992.0023
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  1. Lope's Padre Roxas and Niño Inocente are Authentic Saints
  2. Robert Morrison
  3. pp. 181-183
  4. DOI: 10.1353/boc.1992.0026
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  1. Mentidero: The 1991 Comediantes Banquet
  2. Catherine Larson
  3. pp. 185-186
  4. DOI: 10.1353/boc.1992.0030
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