1. Lope and the Moriscos
  2. Thomas E. Case
  3. pp. 195-216
  4. DOI: 10.1353/boc.1992.0015
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  1. Stage Darkness in the Early Plays of Lope de Vega
  2. Margaret R. Hicks
  3. pp. 217-230
  4. DOI: 10.1353/boc.1992.0002
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  1. Comedia Manuscripts in Rome, Part II
  2. John V. Falconieri
  3. pp. 243-251
  4. DOI: 10.1353/boc.1992.0008
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  1. El Testamento de Luis Quiñones de Benavente
  2. María Luisa Lobato
  3. pp. 253-259
  4. DOI: 10.1353/boc.1992.0010
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  1. Powerless or Empowered?: Women in Guillén de Castro's Las mocedades del Cid and Las hazañas del Cid
  2. Marjorie Ratcliffe
  3. pp. 261-267
  4. DOI: 10.1353/boc.1992.0012
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  1. Language and the Comedia: Theory and Practice (review)
  2. Charles Oriel
  3. pp. 271-273
  4. DOI: 10.1353/boc.1992.0001
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  1. Homenaje a Kurt y Roswitha Reichenberger: Estudios sobre Calderón y el teatro de la edad de oro (review)
  2. Susana Hernández Araico
  3. pp. 273-276
  4. DOI: 10.1353/boc.1992.0004
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  1. Comedias del siglo de oro and Shakespeare (review)
  2. Raymond Conlon
  3. pp. 276-277
  4. DOI: 10.1353/boc.1992.0007
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  1. Fatal Union: Pluralistic Approach to the Spanish Wife-Murder Comedias (review)
  2. Frank P. Casa
  3. pp. 277-279
  4. DOI: 10.1353/boc.1992.0009
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  1. Poetry as Play: Gongorismo and the Comedia (review)
  2. Marsha S. Collins
  3. pp. 279-281
  4. DOI: 10.1353/boc.1992.0011
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  1. Actor y técnica de representación del teatro clásico español (review)
  2. Catherine Larson
  3. pp. 281-283
  4. DOI: 10.1353/boc.1992.0013
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  1. The Liturgical Context of Early European Drama (review)
  2. Robert Morrison
  3. pp. 283-285
  4. DOI: 10.1353/boc.1992.0000
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  1. Mentidero: The 1992 Comediantes Banquet
  2. Michael McGaha
  3. pp. 287-289
  4. DOI: 10.1353/boc.1992.0003
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