1. Refashioning the Maze: The Interplay of Gender and Rank in Cervantes's El laberinto de amor
  2. Ellen M. Anderson
  3. pp. 165-185
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  1. Parody, Gender and Dress in Lope's La doncella Teodor
  2. Thomas E. Case
  3. pp. 187-206
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  1. Disguised Discourse: Emblems in Lope de Vega's El castigo sin venganza
  2. Christine D. Martínez
  3. pp. 207-217
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  1. Agustín Moreto y Cabaña: A Transitional Playwright and His Heroines
  2. Hilda Rissel
  3. pp. 219-228
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  1. El acierto en el engaño y robador de su honra de Luis de Belmonte Bermüdez: comedia inédita del siglo XVII
  2. Antonio Cortijo Ocaña
  3. pp. 229-255
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  1. From Crónica to Comedia: Catholic Evangelization and Indigenous Oral Traditions in the Inca Garcilaso and Calderón
  2. Ricardo Castells
  3. pp. 257-271
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  1. The Don Juan Theme. An Annotated Bibliography of Versions, Analogues, Uses, and Adaptations (review)
  2. David T. Gies
  3. pp. 273-274
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  1. De la comedia humanística al teatro representable (review)
  2. Charles F. Fraker
  3. pp. 275-277
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  1. The Novelist as Playwright: Cervantes and the Entremés nuevo (review)
  2. Barbara F. Weissberger
  3. pp. 277-278
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  1. Miguel de Cervantes' Interludes/Entremeses (review)
  2. Cory A. Reed
  3. pp. 279-281
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  1. Index
  2. pp. 359-369
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