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Table of Contents

  1. Fernán Gómez de Guzmán, Protagonist of Fuenteovejuna
  2. Michael J. Ruggerio
  3. pp. 5-19
  4. DOI: https://doi.org/10.1353/boc.1995.0012
  5. restricted access
  1. The Performance of Desire: Acting and Being in Lope de Vega's El laberinto de Creta
  2. Michael Kidd
  3. pp. 21-36
  4. DOI: https://doi.org/10.1353/boc.1995.0016
  5. restricted access
  1. Una olvidada fijación literaria del trickster: Pedro de Urdemalas
  2. Alfred Rodríguez, Ronald Lanning
  3. pp. 37-42
  4. DOI: https://doi.org/10.1353/boc.1995.0019
  5. restricted access
  1. "Entre verdad y mentira": Woman and Metatheater in Lope de Vega's Los amantes sin amor
  2. Harry Vélez Quiñones
  3. pp. 43-54
  4. DOI: https://doi.org/10.1353/boc.1995.0023
  5. restricted access
  1. Alarcón's Licurgo: A Magnanimous Hero's Honorable Vengeance
  2. Deborah A. Dougherty
  3. pp. 55-71
  4. DOI: https://doi.org/10.1353/boc.1995.0002
  5. restricted access
  1. The Segunda parte of La hija del aire is Calderón's
  2. John B. Wooldridge
  3. pp. 73-94
  4. DOI: https://doi.org/10.1353/boc.1995.0006
  5. restricted access
  1. Teatro, propaganda y comercio en la Comedia de Nuestra Señora de Guadalupe y sus milagros
  2. Ángel Sánchez
  3. pp. 95-103
  4. DOI: https://doi.org/10.1353/boc.1995.0010
  5. restricted access
  1. Cervantes's Numancia: A Speech Act Consideration
  2. Charles Oriel
  3. pp. 105-119
  4. DOI: https://doi.org/10.1353/boc.1995.0014
  5. restricted access
  1. Unos esdrújulos problemáticos de Cairasco de Figueroa
  2. Robert L. Hathaway
  3. pp. 121-134
  4. DOI: https://doi.org/10.1353/boc.1995.0018
  5. restricted access
  1. Francisco de Rojas Zorrilla y Agustin Moreto: análisis (review)
  2. David H. Darst
  3. pp. 135-136
  4. DOI: https://doi.org/10.1353/boc.1995.0022
  5. restricted access
  1. Bibliografía crítica para el estudio del auto sacramental con especial atención a Calderón (review)
  2. Elizabeth Teresa Howe
  3. pp. 137-138
  4. DOI: https://doi.org/10.1353/boc.1995.0001
  5. restricted access
  1. Looking at the Comedia in the Year of the Quincentennial. Proceedings of the 1992 Symposium on Golden Age Drama at the University of Texas, El Paso, March 18-21 (review)
  2. Carol Bingham Kirby
  3. pp. 138-140
  4. DOI: https://doi.org/10.1353/boc.1995.0005
  5. restricted access
  1. Mentidero
  3. p. 141
  4. DOI: https://doi.org/10.1353/boc.1995.0009
  5. restricted access