Volume 47, Number 2, 1995

Table of Contents

Gender and the Discourse of Decay in El burlador de Sevilla

pp. 155-163
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Female Presence in Tirso's El burlador de Sevilla

pp. 165-181
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El burlador de Sevilla: Claramente de Tirso, y no de Claramonte (Breve anotación crítica)

pp. 183-190
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Reading the Opening of a Play: Tirso's El burlador de Sevilla

pp. 191-200
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The End: Modern Productions of El burlador de Sevilla, with Special Attention to Closings

pp. 201-222
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El condenado por presumido: The Rhetoric of Death and Damnation in El burlador de Sevilla y convidado de piedra

pp. 223-243
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Don Juan in Cyberspace: Editing a Comedia on the Information Superhighway

pp. 245-266
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Comedy's Social Compromise: Tirso's Marta la piadosa and the Refashioning of Role

pp. 267-289
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The Oedipal Drama of Tirso's La república al revés

pp. 291-309
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The Indiano as Liminal Figure in the Drama of Tirso and His Contemporaries

pp. 311-320
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Purging Humor(s): Medical and Scatological Imagery in Tirso de Molina

pp. 321-339
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The Anxiety of Gender: The Tranformation of Tamar in Tirso's La venganza de Tamar and Calderón's Los cabellos de Absalón

pp. 341-372
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