1. Gender and the Discourse of Decay in El burlador de Sevilla
  2. Everett W. Hesse
  3. pp. 155-163
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  1. Female Presence in Tirso's El burlador de Sevilla
  2. Susana Pendzik
  3. pp. 165-181
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  1. El burlador de Sevilla: Claramente de Tirso, y no de Claramonte (Breve anotación crítica)
  2. Luis Vázquez
  3. pp. 183-190
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  1. Reading the Opening of a Play: Tirso's El burlador de Sevilla
  2. Isaac Benabu
  3. pp. 191-200
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  1. The End: Modern Productions of El burlador de Sevilla, with Special Attention to Closings
  2. Barbara Mujica
  3. pp. 201-222
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  1. El condenado por presumido: The Rhetoric of Death and Damnation in El burlador de Sevilla y convidado de piedra
  2. Charles D. Presberg
  3. pp. 223-243
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  1. Don Juan in Cyberspace: Editing a Comedia on the Information Superhighway
  2. Angela Moll
  3. pp. 245-266
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  1. Comedy's Social Compromise: Tirso's Marta la piadosa and the Refashioning of Role
  2. Jonathan W. Thacker
  3. pp. 267-289
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  1. The Oedipal Drama of Tirso's La república al revés
  2. Christopher B. Weimer
  3. pp. 291-309
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  1. The Indiano as Liminal Figure in the Drama of Tirso and His Contemporaries
  2. Barbara Simerka
  3. pp. 311-320
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  1. Purging Humor(s): Medical and Scatological Imagery in Tirso de Molina
  2. John T. Cull
  3. pp. 321-339
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  1. The Anxiety of Gender: The Tranformation of Tamar in Tirso's La venganza de Tamar and Calderón's Los cabellos de Absalón
  2. Marcia L. Welles
  3. pp. 341-372
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