1. Language and Orthodoxy in La Farsa del sacramento llamada de los lenguajes
  2. Thomas E. Case
  3. pp. 239-248
  4. DOI: 10.1353/boc.1996.0009
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  1. Confounding Convention: 'Women' in Three Golden Age Plays
  2. Paul Allatson
  3. pp. 261-273
  4. DOI: 10.1353/boc.1996.0015
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  1. Una obra mitológica de corral: Progne y Filomena de Rojas Zorrilla
  2. Marcela Trambaioli
  3. pp. 275-294
  4. DOI: 10.1353/boc.1996.0000
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  1. Hidden Treasure: The Marvelous Present and Magical Reality in The Tempest and La vida es sueño
  2. Ali Shehzad Zaidi
  3. pp. 295-313
  4. DOI: 10.1353/boc.1996.0003
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  1. La gran comedia de la Baltasara by "Tres ingenios de la Corte"
  2. Anita K. Stoll
  3. pp. 329-338
  4. DOI: 10.1353/boc.1996.0008
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  1. Datos de La despreciada querida de Juan Bautista Villegas
  2. Erasmo Hernández González
  3. pp. 339-351
  4. DOI: 10.1353/boc.1996.0011
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  1. When Sacred and Secular Intersect: Calderón's El pintor de su deshonra, comedia and auto
  2. Phyllis Patteson Mitchell
  3. pp. 353-366
  4. DOI: 10.1353/boc.1996.0014
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  1. La imagen de los negros en el teatro del Siglo de Oro (review)
  2. Barbara Simerka
  3. pp. 367-369
  4. DOI: 10.1353/boc.1996.0017
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  1. The Golden Age Comedia: Text, Theory, and Performance (review)
  2. Barbara E. Kurtz
  3. pp. 369-371
  4. DOI: 10.1353/boc.1996.0002
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  1. El teatro alegórico de Miguel (Daniel Leví) de Barrios (review)
  2. Michael McGaha
  3. pp. 371-374
  4. DOI: 10.1353/boc.1996.0004
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  1. The Spanish Drama Collection at the Ohio State University Library: A Descriptive Catalogue (review)
  2. José M. Regueiro
  3. pp. 374-376
  4. DOI: 10.1353/boc.1996.0007
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  1. Semiótica teatral del Siglo de Oro (review)
  2. Donald E. Socha
  3. pp. 376-378
  4. DOI: 10.1353/boc.1996.0010
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  1. El mayor monstruo del mundo (review)
  2. John Lihani
  3. pp. 378-380
  4. DOI: 10.1353/boc.1996.0013
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  1. El encanto es la hermosura y el hechizo sin hechizo. La Segunda Celestina (review)
  2. Joseph T. Snow
  3. pp. 383-384
  4. DOI: 10.1353/boc.1996.0001
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