1. Editor's Note
  2. Edward H. Friedman
  3. p. 7
  4. DOI: 10.1353/boc.2000.0004
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  1. Lope de Vega's Exemplary Early Comedy, Los locos de Valencia
  2. Jonathan Thacker
  3. pp. 9-29
  4. DOI: 10.1353/boc.2000.0007
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  1. Tráfico barroco: urbanidad y urbanismo en Las bizarrías de Belisa de Lope de Vega
  2. Enrique García Santo-Tomás
  3. pp. 31-53
  4. DOI: 10.1353/boc.2000.0010
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  1. Los márgenes del poder, el poder de los márgenes: el marco narrativo en La gloria de Niquea de Villamediana
  2. Rogelio Miñana
  3. pp. 55-81
  4. DOI: 10.1353/boc.2000.0013
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  1. Theatrical Cave: A Frame for Dreams or Entrance to the Underworld?
  2. Mary O. Hivnor
  3. pp. 83-96
  4. DOI: 10.1353/boc.2000.0017
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  1. Psychoanalysis and the Comedia: Skepticism and the Paternal Function in La vida es sueño
  2. William Egginton
  3. pp. 97-122
  4. DOI: 10.1353/boc.2000.0021
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  1. Ana Caro's El conde Partinuplés and Calderón's La vida es sueño: Protofeminism and Heuristic Imitation
  2. Christopher B. Weimer
  3. pp. 123-146
  4. DOI: 10.1353/boc.2000.0002
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  1. Notes on a Newly Discovered Play: Is Marcela de San Félix the Author?
  2. Susan M. Smith
  3. pp. 147-170
  4. DOI: 10.1353/boc.2000.0005
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  1. Técnicas de representación en Lope de Vega (review)
  2. Thomas E. Case
  3. pp. 221-224
  4. DOI: 10.1353/boc.2000.0011
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  1. Lady Nitwit /La dama boba (review)
  2. David Gómez Torres
  3. pp. 224-226
  4. DOI: 10.1353/boc.2000.0015
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  1. Mentidero: Chamizal
  2. Kenneth A. Stackhouse
  3. pp. 229-239
  4. DOI: 10.1353/boc.2000.0000
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