1. Editors Note
  2. Edward H. Friedman
  3. p. 7
  4. DOI: 10.1353/boc.2001.0011
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  1. American Calderón: A Prelude
  2. Anne J. Cruz
  3. pp. 9-13
  4. DOI: 10.1353/boc.2001.0013
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  1. Staging Calderón with the TESO Data Base
  2. John J. Allen
  3. pp. 15-39
  4. DOI: 10.1353/boc.2001.0015
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  1. Capricho's Clock: Time in Calderón's Comedies
  2. William R. Blue
  3. pp. 41-55
  4. DOI: 10.1353/boc.2001.0017
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  1. Interpreting Ideas: Court Theatre's Production of Life's a Dream
  2. Kerry Wilks
  3. pp. 57-82
  4. DOI: 10.1353/boc.2001.0019
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  1. Segismundo/Philip IV: The Politics of Astrology in La vida es sueño
  2. Frederick A. De Armas
  3. pp. 83-100
  4. DOI: 10.1353/boc.2001.0021
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  1. Dreams of Reason Create Monsters of Culture: La vida es Sueño
  2. Charles Presberg
  3. pp. 101-127
  4. DOI: 10.1353/boc.2001.0010
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  1. El mayor monstruo del mundo and the Subject of Tragedy
  2. Edward H. Friedman
  3. pp. 129-154
  4. DOI: 10.1353/boc.2001.0012
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  1. Gender, Tyranny, and the Performance of Power in La hija del aire
  2. María Cristina Quintero
  3. pp. 155-178
  4. DOI: 10.1353/boc.2001.0014
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  1. Calderón Incorporated: Hands and Speech in Las tres justicias en una and El postrer duelo de España
  2. Charles Ganelin
  3. pp. 179-195
  4. DOI: 10.1353/boc.2001.0016
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  1. "¡Notable sujeto!" Terms of Dismemberment in EL médico de su honra
  2. Dian Fox
  3. pp. 197-216
  4. DOI: 10.1353/boc.2001.0018
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  1. Eunuchs and Empty Houses: Coquíns Tragic Joke in El médico de su honra
  2. Anne J. Cruz
  3. pp. 217-235
  4. DOI: 10.1353/boc.2001.0020
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