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  Volume 54, Number 2, 2002

Table of Contents

Editor's Note

p. 247 | DOI: 10.1353/boc.2002.0034

"Con arte se vence todo": Images of the English in Lope de Vega

pp. 249-269 | DOI: 10.1353/boc.2002.0040

Lope de Vega's Drawing of the Monte Stage Set

pp. 271-285 | DOI: 10.1353/boc.2002.0006

Entre la esclavitud y el ensalzamiento: La presencia africana en la sociedad y en el teatro del Siglo de Oro español

pp. 287-311 | DOI: 10.1353/boc.2002.0013

In the Beginning Was . . . the Word?: Calderón and Conventions of Golden Age Play Beginnings

pp. 313-337 | DOI: 10.1353/boc.2002.0020

A Question of Values: The Spiritual Education of Segismundo in Calderón's La vida es sueño

pp. 339-372 | DOI: 10.1353/boc.2002.0026

Calderón's Life Is a Dream: Mapping a Culture of Contingency for the Twenty-first Century

pp. 373-405 | DOI: 10.1353/boc.2002.0032

The Marriage of Art and Honor: Anamorphosis and Control in Calderón's La dama duende

pp. 407-441 | DOI: 10.1353/boc.2002.0038

Talking About Talking: Word and Deed in Calderón's El alcalde de Zalamea

pp. 443-465 | DOI: 10.1353/boc.2002.0003

The Recreation of a Spanish Playhouse: Segovia's Hospital de la Misericordia

pp. 467-476 | DOI: 10.1353/boc.2002.0010

Mentidero: Chamizal 2002

pp. 477-480 | DOI: 10.1353/boc.2002.0017