1. Editor's Note
  2. Edward H. Friedman
  3. pp. 7-10
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  1. Bridging the Performance Gap: The Body, Cognitive Theory, and Comedia Studies
  2. Catherine Connor (Swietlicki)
  3. pp. 11-53
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  1. Erotic Magic: Another Look at Cervantes's Los tratos de Argel
  2. Judith A. Whitenack
  3. pp. 55-80
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  1. A Woman Not Fit to Rule: The Gendering of Jealousy in Lope de Vega's Arminda Celosa
  2. Steven Wagschal
  3. pp. 81-95
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  1. "A Man with No Name": A Contrarian Reading of One Version of Don Juan in the Twenty-first Century
  2. Theresa A. Sears
  3. pp. 97-116
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  1. "Segunda Cava en España": moro, morisco y venganza en tres comedias de Lope de Vega
  2. Antonio Sánchez Jiménez
  3. pp. 117-132
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  1. Tirso and the Scene of Writing: El castigo del penséque and Quien calla, otorga
  2. James Mandrell
  3. pp. 133-149
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  1. El impulso lúdico schilleriano y el teatro calderoniano de enredo
  2. David J. Hildner
  3. pp. 151-162
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  1. El teatro en tiempos de Felipe II. Actas de las XXI Jornadas de Teatro Clásico, Almagro, 7, 8 y 9 de julio de 1998 (review)
  2. Vincent Martin
  3. pp. 191-193
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  1. El mito de Edipo en la tragedia barroca española. Alejandro Arboreda: "No hay resistencia a los hados." (review)
  2. Carol Bingham Kirby
  3. pp. 193-196
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  1. Calderón de la Barca: El médico de su honra (review)
  2. A. Robert Lauer
  3. pp. 196-198
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  1. El concepto de "representación" en los autos sacramenlales de Calderón (review)
  2. Angel Julian Valbuena-Briones
  3. pp. 198-200
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  1. Juan Ruiz de Alarcón ante la crítica, en las colecciones y en los acervos documentales (review)
  2. Antonia Petro
  3. pp. 200-202
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  1. Pilgrimage to Patronage. Lope de Vega and the Court of Philip III, 1598-1621 (review)
  2. Antonio Carreño-Rodríguez
  3. pp. 202-206
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