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  Volume 56, Number 1, 2004

Table of Contents

Editor's note

pp. 5-6
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The Nahuatization of Paul in La conversión de san Pablo

pp. 7-43
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Numancia: "nuestra historia"

pp. 45-54
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¿Cómo hacer cosas con los enigmas?: La vida es sueño o el drama del desengaño

pp. 55-75
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La herencia de la commedia dell'arte italiana en la conformación del personaje de Juan Rana

pp. 77-96
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'Un hombre sin nombre': The Mirroring of Language and Nature in Tirso's El burlador de Sevilla

pp. 97-114
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Beleaguered Hegemony and Triangular Desire in Lope de Vega's Las famosas asturianas and John Ford's Stagecoach

pp. 115-142
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"Back to Basics"

Special Section on the Comedia at the 2002 MLA Convention:

Back to Basics: What Every Comediante Should Know: Confessions of a Panel Organizer

pp. 145-147
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Comedia and the Art of Construction

pp. 149-152
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Why We Don't Get No Respect and What We Are Doing About It; Or, The Rapprochement of Body and Mind and the Return of Comedia Studies

pp. 153-161
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The Spanish Comedia: On Canons and Kinds

pp. 163-168
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What Every Comediante Mentor Should Know

pp. 169-174
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