1. Editor's Note
  2. Edward H. Friedman
  3. p. 185
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  1. El juez, el dramaturgo y el relojero: justicia y lectura como ciencias inexactas en El juez de los divorcios de Cervantes
  2. Belén Atienza
  3. pp. 193-217
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  1. ¿Ortodoxia cervantina?: Un análisis de La gran sultana, El trato de Argel y Los Baños de Argel
  2. Moisés R. Castillo
  3. pp. 219-240
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  1. "Ese tan borrado sobrescrito": The Deconstruction of Lope's Religious Theater in El retablo de las maravillas and El rufián dichoso
  2. William Childers
  3. pp. 241-268
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  1. El potencial dramático de Escarramán
  2. Enrique García Santo-Tomás
  3. pp. 269-287
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  1. Cervantes o la relocalización del sujeto teatral
  2. Carlos M. Gutiérrez
  3. pp. 289-310
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  1. Cervantes's Democratization of Demonic Possession: El rufián dichoso, Blasco de Lanuza, and the Death-Bed of Every Christian
  2. Hilaire Kallendorf
  3. pp. 311-326
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  1. Empty Words: Promises and Deception in La entretenida
  2. Eric J. Kartchner
  3. pp. 327-343
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  1. The Call of the Natural World in Los Baños de Argel
  2. Maryrica Ortiz Lottman
  3. pp. 345-366
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  1. The Play of Illusion in Cervantes's Interludes
  2. Vincent Martin
  3. pp. 367-385
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  1. "Veréis el monstruo": La nueva comedia de Cervantes
  2. Rogelio Miñana
  3. pp. 387-411
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  1. Icons of Honor: Cervantes, Lope, and the Staging of Blind Faith
  2. Bradley J. Nelson
  3. pp. 413-441
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  1. Rústico examen de ingenios en La elección de los alcaldes de Daganzo
  2. Vicente Pérez de León
  3. pp. 443-457
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  1. Bruce Wardropper, In Memoriam
  2. Margaret R. Greer, Teresa Soufas, Christopher Soufas, Dian Fox, Elizabeth Teresa Howe, Susan L. Fischer
  3. pp. 459-464
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  1. Introduction
  2. Edward H. Friedman
  3. pp. 187-192
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