1. Editor's Note
  2. Edward H. Friedman
  3. p. 9
  4. DOI: 10.1353/boc.2005.0017
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  1. Clothes Encounters: Revealing and Concealing the Body in Lope's La discreta enamorada
  2. Donald R. Larson
  3. pp. 11-44
  4. DOI: 10.1353/boc.2005.0021
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  1. The Queen's Two Bodies: Sexual Politics in Lope de Vega's La reina Juana de Nápoles
  2. Marcella Salvi
  3. pp. 45-59
  4. DOI: 10.1353/boc.2005.0001
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  1. The Female Voice of Reason in the Plays of Juan Ruiz de Alarcón
  2. Cynthia Leone Halpern
  3. pp. 61-89
  4. DOI: 10.1353/boc.2005.0005
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  1. Female and Male Mediation in the Plays of Ángela de Azevedo
  2. Christopher D. Gascón
  3. pp. 125-145
  4. DOI: 10.1353/boc.2005.0015
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  1. Symbolic Inversions in Ángela de Azevedo's El muerto disimulado
  2. Darlene Múzquiz-Guerreiro
  3. pp. 147-163
  4. DOI: 10.1353/boc.2005.0019
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  1. Un texto de Lope de Rueda: Madrigalejo, Molina y el Alguacil en el paso cuarto del Registro de representantes
  2. Ignacio Arellano
  3. pp. 165-172
  4. DOI: 10.1353/boc.2005.0023
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  1. Chamizal 2004
  2. A. Robert Lauer
  3. pp. 173-183
  4. DOI: 10.1353/boc.2005.0003
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  1. Festival Internacional de Teatro Clásico de Almagro, 2004
  2. Darci L. Strother
  3. pp. 185-193
  4. DOI: 10.1353/boc.2005.0007
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  1. The Royal Shakespeare Company and the Hispanic Golden Age Season
  2. Susan L. Fischer
  3. pp. 195-203
  4. DOI: 10.1353/boc.2005.0011
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  1. In Tribute to Willard Fahrenkamp King: (July 13, 1924 - November 8, 2004)
  2. Cynthia Leone Halpern
  3. pp. 205-207
  4. DOI: 10.1353/boc.2005.0014
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  1. Feminizing the Enemy: Imperial Spain, Transvestite Drama, and the Crisis of Masculinity (review)
  2. Matthew D. Stroud
  3. pp. 209-211
  4. DOI: 10.1353/boc.2005.0018
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  1. América en el teatro español del Siglo de Oro (review)
  2. Rogelio Miñana
  3. pp. 211-213
  4. DOI: 10.1353/boc.2005.0022
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  1. La creación del "Fénix." Recepción crítica y formación canónica del teatro de Lope de Vega (review)
  2. Francisco Sáez Raposo
  3. pp. 213-215
  4. DOI: 10.1353/boc.2005.0002
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  1. La bella malmaridada o la cortesana (review)
  2. Robert S. Stone
  3. pp. 215-217
  4. DOI: 10.1353/boc.2005.0006
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  1. How the World Became a Stage (review)
  2. Dana Bultman
  3. pp. 217-219
  4. DOI: 10.1353/boc.2005.0010
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  1. Calderón 1600-2000. Jornadas de investigación calderoniana (review)
  2. William Egginton
  3. pp. 219-221
  4. DOI: 10.1353/boc.2005.0013
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  1. Antonio Enríquez Gómez: Un Écrivain Marrane (v. 1600-1663) (review)
  2. Michael McGaha
  3. pp. 221-223
  4. DOI: 10.1353/boc.2005.0016
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  1. Echoes and Inscriptions: Comparative Approaches to Early Modern Spanish Literatures (review)
  2. Matthew J. Dean
  3. pp. 225-227
  4. DOI: 10.1353/boc.2005.0000
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  1. The Cervantes Encyclopedia (review)
  2. Edward H. Friedman
  3. pp. 227-228
  4. DOI: 10.1353/boc.2005.0004
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  1. Reinventions: Four Plays by Oscar Mandel after Homer, Cervantes, Calderón and Mariveaux (review)
  2. Ivan Fernández Peláez
  3. pp. 229-230
  4. DOI: 10.1353/boc.2005.0008
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