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  Volume 57, Number 1, 2005

Table of Contents

Editor's Note

p. 9
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Essays

Clothes Encounters: Revealing and Concealing the Body in Lope's La discreta enamorada

pp. 11-44
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The Queen's Two Bodies: Sexual Politics in Lope de Vega's La reina Juana de Nápoles

pp. 45-59
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The Female Voice of Reason in the Plays of Juan Ruiz de Alarcón

pp. 61-89
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Alabanza política y crítica literaria en la Tragicomedia de los jardines y campos sabeos de Feliciana Enríquez de Guzmán

pp. 91-105
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De orgía y bacanal a sátira política: Entreactos de la segunda parte de Los jardines y campos sabeos de Feliciana Enríquez de Guzmán

pp. 107-123
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Female and Male Mediation in the Plays of Ángela de Azevedo

pp. 125-145
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Symbolic Inversions in Ángela de Azevedo's El muerto disimulado

pp. 147-163
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Un texto de Lope de Rueda: Madrigalejo, Molina y el Alguacil en el paso cuarto del Registro de representantes

pp. 165-172
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Mentidero

Chamizal 2004

pp. 173-183
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Festival Internacional de Teatro Clásico de Almagro, 2004

pp. 185-193
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The Royal Shakespeare Company and the Hispanic Golden Age Season

pp. 195-203
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In Tribute to Willard Fahrenkamp King: (July 13, 1924 - November 8, 2004)

pp. 205-207
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Reviews

Feminizing the Enemy: Imperial Spain, Transvestite Drama, and the Crisis of Masculinity (review)

pp. 209-211
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América en el teatro español del Siglo de Oro (review)

pp. 211-213
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La creación del "Fénix." Recepción crítica y formación canónica del teatro de Lope de Vega (review)

pp. 213-215
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La bella malmaridada o la cortesana (review)

pp. 215-217
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How the World Became a Stage (review)

pp. 217-219
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Calderón 1600-2000. Jornadas de investigación calderoniana (review)

pp. 219-221
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Antonio Enríquez Gómez: Un Écrivain Marrane (v. 1600-1663) (review)

pp. 221-223
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Family Matters: A Study of On- and Off-Stage Marriage and Family Relations in Seventeenth-Century Spain (review)

pp. 223-225
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Echoes and Inscriptions: Comparative Approaches to Early Modern Spanish Literatures (review)

pp. 225-227
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The Cervantes Encyclopedia (review)

pp. 227-228
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Reinventions: Four Plays by Oscar Mandel after Homer, Cervantes, Calderón and Mariveaux (review)

pp. 229-230
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