1. Editors' Note
  2. Edward H. Friedman
  3. p. 283
  4. DOI: 10.1353/boc.2006.0019
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  1. Defining the Comedia: On Generalizations Once Widely Accepted That Are No Longer Accepted So Widely
  2. Matthew D. Stroud
  3. pp. 285-305
  4. DOI: 10.1353/boc.2006.0026
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  1. Juegos caballerescos en el origen del teatro áulico
  2. Ignacio López Alemany
  3. pp. 307-322
  4. DOI: 10.1353/boc.2006.0032
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  1. Alegoría, discurso político y la nueva comedia: Lope de Vega
  2. Antonio Carreño-Rodríguez
  3. pp. 323-339
  4. DOI: 10.1353/boc.2006.0004
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  1. The Dramatization of the Arte nuevo: Revisiting Lo fingido verdadero
  2. Anthony John Grubbs
  3. pp. 341-357
  4. DOI: 10.1353/boc.2006.0009
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  1. Escenificación corporal y autorreferencialidad en el entremés La casa holgona de Pedro Calderón de la Barca
  2. Amy M. Austin
  3. pp. 383-398
  4. DOI: 10.1353/boc.2006.0018
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  1. Painting and Perspective in Calderón's El príncipe constante
  2. Yun Shao
  3. pp. 399-420
  4. DOI: 10.1353/boc.2006.0024
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  1. Some Thoughts on Editing, Translating, and Teaching El médico de su honra
  2. Dian Fox
  3. pp. 421-433
  4. DOI: 10.1353/boc.2006.0030
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  1. The Adoración de los reyes: Franciscans, Nahuas, and Layered Performance in Colonial Mexico
  2. Rebecca Vitz Cherico
  3. pp. 435-456
  4. DOI: 10.1353/boc.2006.0002
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  1. Ingenious Examinations: Science, Golden Age Theater, and Twenty-First Century Criticism
  2. Dale J. Pratt
  3. pp. 469-477
  4. DOI: 10.1353/boc.2006.0012
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  1. Sacramental Instrumentality: Representation, Demonstration, and the Calderonian Auto
  2. John Slater
  3. pp. 479-500
  4. DOI: 10.1353/boc.2006.0016
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  1. Entrevista a Eduardo Vasco
  2. Antonio Sánchez-Jiménez
  3. pp. 501-509
  4. DOI: 10.1353/boc.2006.0022
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  1. Lope de Vega's "Comedias de Tema Religioso." Re-Creations and Representations (review)
  2. Catherine Connor (Swietlicki)
  3. pp. 511-513
  4. DOI: 10.1353/boc.2006.0028
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  1. Colonial Encounters in New World Writing, 1500-1786. Performing America (review)
  2. Gladys Robalino
  3. pp. 513-515
  4. DOI: 10.1353/boc.2006.0000
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  1. El teatro de Miguel de Cervantes ante el IV Centenario (review)
  2. DeLys Ostlund
  3. pp. 516-518
  4. DOI: 10.1353/boc.2006.0005
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  1. Teatro calderoniano sobre el tablado. Calderón y su puesta en escena a través de los siglos (review)
  2. Françoise Gilbert
  3. pp. 518-522
  4. DOI: 10.1353/boc.2006.0010
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