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  Volume 59, Number 2, 2007

Table of Contents

From: Bulletin of the Comediantes

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Editor's Note

pp. 232-233

From Mantua to Madrid: The License of Desire in Giulio Romano, Correggio and Lope de Vega's El castigo sin venganza

pp. 233-265

Staging of the King-Noble Conflict: Collective and Personal Power

pp. 267-280

The Economics of Salvation in El esclavo del demonio

pp. 281-302

The Best Man in the Play: Female Agency in a Gender-Inclusive Comedia

pp. 303-323

Patriotism and Revolt: Uncovering the Portuguese in Ângela de Azevedo

pp. 325-343

"Este es mi cuerpo": El ritual del rey sacramentado en dos fiestas de Calderón y Bances Candamo

pp. 345-377

A Pro-feminine Golden-Age Adaptation of the Classic Female Creation Myth: Calderón's La estatua de Prometeo and the Construction of Female Identity

pp. 379-408


Don Quixote, Don Juan, and Related Subjects: Form and Tradition in Spanish Literature, 1330-1630 (review)

pp. 409-411

An Eye on Race: Perspectives from Theater in Imperial Spain (review)

pp. 411-413

Male Delivery. Reproduction, Effeminacy, and Pregnant Men in Early Modern Spain (review)

pp. 413-415

Approaches to Teaching Early Modern Spanish Drama (review)

pp. 415-419

El prodigio de Etiopía (review)

pp. 419-450

Las bizarrías de Belisa (review)

pp. 420-422

La desdicha de la voz (review)

pp. 423-425

La vida es sueño, and: Life's a Dream (review)

pp. 425-427

El nuevo mundo descubierto por Cristóbal Colón: Una edición crítica y bilingüe / The New World Discovered by Christopher Columbus: A Critical and Bilingual Edition (review)

pp. 427-429

Actividad teatral en la región de Madrid según los protocolos de Juan García de Albertos: 1634-1660. Estudio y documentos (review)

pp. 429-432