1. The 1541 Crónica general and the Historical Theatre of Juan de la Cueva and Lope de Vega: An Epic Debt
  2. Geraldine Coates
  3. pp. 1-29
  4. DOI: 10.1353/boc.2008.0015
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  1. "Es de Lope": The Drama of Confession and Fuente Ovejuna
  2. D. Gene Pace
  3. pp. 31-50
  4. DOI: 10.1353/boc.2008.0011
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  1. The Judaization of Christianity in Felipe Godínez's Ester plays
  2. Andrew Herskovits
  3. pp. 51-70
  4. DOI: 10.1353/boc.2008.0007
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  1. Los corrales de comedias del siglo XVII madrileño: espacios de sensualidad urbana
  2. Esther Fernández
  3. pp. 71-90
  4. DOI: 10.1353/boc.2008.0003
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  1. Engendering Narrative Equality in Ángela de Azevedo's El muerto disimulado
  2. John P. Gabriele
  3. pp. 127-138
  4. DOI: 10.1353/boc.2008.0005
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  1. Slaying the Beast: The Case of Beatriz in Sor Juana's and Agustín de Salazar y Torres's La segunda Celestina
  2. Bonnie L. Gasior
  3. pp. 139-152
  4. DOI: 10.1353/boc.2008.0001
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  1. "La Numancia" de Cervantes y la memoria de un mito (review)
  2. Bradley J. Nelson
  3. pp. 153-154
  4. DOI: 10.1353/boc.2008.0023
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  1. Espacio urbano y creación literaria en el Madrid de Felipe IV (review)
  2. Manuel Delgado
  3. pp. 155-156
  4. DOI: 10.1353/boc.2008.0019
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  1. Dramaturgia festiva y cultura nobiliaria en el Siglo de Oro. Coordinadores (review)
  2. Thomas A. O'Connor
  3. pp. 157-158
  4. DOI: 10.1353/boc.2008.0017
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  1. Chamizal 2007
  2. A. Robert Lauer
  3. pp. 159-168
  4. DOI: 10.1353/boc.2008.0013
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  1. Editor's Note
  2. Edward H. Friedman
  3. p. vii
  4. DOI: 10.1353/boc.2008.0009
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