restricted access   Volume 1, Number 2, Summer 2010 (The New Series)

Table of Contents

Editor's Notes

pp. 1-2


Flickers of the Spirit: "Black Independent Film," Reflexive Reception, and a Blues Cinema Sublime

pp. 7-24

Josephine Baker's Colonial Pastiche

pp. 25-37


Imagining Angola in Luanda with Ondjaki (Ndalu Almeida)

pp. 38-62

Africultures Dossier

Africultures Dossier

pp. 63-102

African Filmmakers' New Strategies

pp. 63-70

From Métis to Nomadic: In Defense of African Film

pp. 71-81

Cinema: An Audience without a Market

pp. 81-92

Five Decades of African Film

pp. 92-102

Poster Gallery: Coming Attractions

pp. 103-110



pp. 111-156

Niamey Manifesto of African Filmmakers: First International Conference on Cinema Production in Africa, Niamey, Niger, March, 1–4, 1982

pp. 111-116

Fédération Panafricaine des Cinéastes: FEPACI Master Report 2009

pp. 117-156

Book Reviews

"Baad Bitches" and Sassy Supermamas: Black Power Action Films (review)

pp. 157-159

Filming Difference: Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film (review)

pp. 159-161

Black Space: Imagining Race in Science Fiction Film (review)

pp. 161-163

Film Reviews

Space is the Place (review)

pp. 164-166

Archival News

(Re)Discovering a Forgotten Film: Slaves and the Robert Kya-Hill Collection

pp. 167-174

News from the Black Film Center Archives

pp. 172-174

Professional Notes and Research Resources

Professional Notes and Research Resources

pp. 175-180


Notes on Contributors

pp. 181-183