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  Volume 53, Number 1, Spring 2010

Table of Contents

An Affinity for Philosophy: The Absurdoid Theatre of Géza Páskándi

pp. 3-21
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The Miracle That Happens When Desire's Dead

pp. 22-38
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Blasphemy in John Osborne's A Subject of Scandal and Concern and Luther

pp. 39-56
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Between the Language and Silence of War: Martha Gellhorn and the Female Characters of Hemingway's The Fifth Column

pp. 57-75
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The Dimensions of the Moment: Modernist Shorts

pp. 76-102
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Narrating, Witnessing, and Healing Trauma in Paula Vogel's How I Learned to Drive

pp. 103-114
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Reviews

Arthur Miller: 1915-1962 (review)

pp. 115-117
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Staging Stigma: A Critical Examination of the American Freak Show (review)

pp. 117-119
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Bernard Shaw and the BBC (review)

pp. 119-122
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Choreographing the Folk: The Dance Stagings of Zora Neale Hurston (review)

pp. 122-124
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Living Masks: The Achievement of Pirandello (review)

pp. 124-126
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Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama (review)

pp. 126-128
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Modern Drama: Critical Concepts in Literary and Cultural Studies (review)

pp. 128-131
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The Spectacle of Japanese American Trauma: Racial Performativity and World War II (review)

pp. 131-133
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Contributors

Contributors

pp. 134-135
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Research Areas

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