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  Volume 53, Number 1, Spring 2010

Table of Contents

An Affinity for Philosophy: The Absurdoid Theatre of Géza Páskándi

pp. 3-21

The Miracle That Happens When Desire's Dead

pp. 22-38

Blasphemy in John Osborne's A Subject of Scandal and Concern and Luther

pp. 39-56

Between the Language and Silence of War: Martha Gellhorn and the Female Characters of Hemingway's The Fifth Column

pp. 57-75

The Dimensions of the Moment: Modernist Shorts

pp. 76-102

Narrating, Witnessing, and Healing Trauma in Paula Vogel's How I Learned to Drive

pp. 103-114


Arthur Miller: 1915-1962 (review)

pp. 115-117

Staging Stigma: A Critical Examination of the American Freak Show (review)

pp. 117-119

Bernard Shaw and the BBC (review)

pp. 119-122

Choreographing the Folk: The Dance Stagings of Zora Neale Hurston (review)

pp. 122-124

Living Masks: The Achievement of Pirandello (review)

pp. 124-126

Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama (review)

pp. 126-128

Modern Drama: Critical Concepts in Literary and Cultural Studies (review)

pp. 128-131

The Spectacle of Japanese American Trauma: Racial Performativity and World War II (review)

pp. 131-133



pp. 134-135

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