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Table of Contents

  1. "I fetch my life and being from men of royal siege": Ghostly Paradigms in Othello
  2. Sharon Cadman Seelig
  3. pp. 1-20
  4. DOI: https://doi.org/10.1353/ghj.2013.0060
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  1. Text-in-History: The Tempest and New World Cultural Encounter
  2. B.J. Sokol
  3. pp. 21-40
  4. DOI: https://doi.org/10.1353/ghj.2013.0062
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  1. Donne, the Man, the Legend
  2. Dennis Flynn
  3. pp. 41-56
  4. DOI: https://doi.org/10.1353/ghj.2013.0064
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  1. King and No King: "The Exequy" as an Antebellum Poem
  2. Diana E. Henderson
  3. pp. 57-75
  4. DOI: https://doi.org/10.1353/ghj.2013.0066
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  1. "Thou Fall'st, My Tongue": Success and Failure in the Cary-Morison Ode
  2. Jonathan Tuck
  3. pp. 77-93
  4. DOI: https://doi.org/10.1353/ghj.2013.0068
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  1. A New Song: Singing Space in Milton's Nativity Ode
  2. Mary Oates O'Reilly
  3. pp. 95-115
  4. DOI: https://doi.org/10.1353/ghj.2013.0069
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  1. Milton Borrows a Word: Or, Cherubim in the Mist
  2. Eugene D. Hill
  3. pp. 117-127
  4. DOI: https://doi.org/10.1353/ghj.2013.0059
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  1. Wit's Post-Mortem: John Constable's Reflections upon Accuracy of Style
  2. James Biester
  3. pp. 129-141
  4. DOI: https://doi.org/10.1353/ghj.2013.0061
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  1. Of Scorn
  2. William Kerrigan
  3. pp. 143-163
  4. DOI: https://doi.org/10.1353/ghj.2013.0063
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  1. Index
  3. pp. 167-170
  4. DOI: https://doi.org/10.1353/ghj.2013.0067
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  1. Introduction
  2. William Kerrigan
  3. pp. vii-xi
  4. DOI: https://doi.org/10.1353/ghj.2013.0070
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  1. Notes on Contributors
  3. pp. 165-166
  4. DOI: https://doi.org/10.1353/ghj.2013.0065
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