1. Why Art Has Never Been Autonomous
  2. James I. Porter
  3. pp. 165-180
  4. DOI: 10.1353/are.0.0037
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  1. Jean-Pierre Vernant and the History of the Image
  2. Richard Neer
  3. pp. 181-195
  4. DOI: 10.1353/are.0.0039
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  1. Art History in the Temple
  2. Verity Platt
  3. pp. 197-213
  4. DOI: 10.1353/are.0.0041
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  1. Ancient Art Versus Modern Aesthetics: A Naturalist Perspective
  2. Thomas Habinek
  3. pp. 215-230
  4. DOI: 10.1353/are.0.0043
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  1. The Art of Signing in Ancient Greece
  2. Robin Osborne
  3. pp. 231-251
  4. DOI: 10.1353/are.0.0045
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  1. The "Art" of Politics
  2. Kenneth Lapatin
  3. pp. 253-265
  4. DOI: 10.1353/are.0.0034
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  1. Aesthetics and Art History Writing in Comparative Historical Perspective
  2. Jeremy Tanner
  3. pp. 267-288
  4. DOI: 10.1353/are.0.0036
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  1. Myth and Chronicle: A Response to the Values of Art
  2. Jaś Elsner
  3. pp. 289-307
  4. DOI: 10.1353/are.0.0038
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  1. Bibliography
  2. pp. 309-340
  3. DOI: 10.1353/are.0.0040
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  1. Figures for The Art of Art History in Greco-Roman Antiquity
  2. pp. 349-369
  3. DOI: 10.1353/are.0.0044
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  1. Introduction: The Art of Art History in Greco-Roman Antiquity
  2. Michael Squire
  3. pp. 133-163
  4. DOI: 10.1353/are.0.0035
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  1. Books Received
  2. pp. 341-344
  3. DOI: 10.1353/are.0.0042
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