1. Moving Toward a Critical Poetic Response
  2. Bryant Keith Alexander
  3. pp. 107-125
  4. DOI: 10.1353/tt.1999.0010
  5. restricted access View |
  1. Staging the Real: Breaking the "Naturalist Habit" in the Representation of History
  2. Tim Raphael
  3. pp. 127-139
  4. DOI: 10.1353/tt.1999.0015
  5. restricted access View |
  1. Dramas of Persuasion: Performance Studies and Interdisciplinary Education
  2. Sally Harrison-Pepper
  3. pp. 141-156
  4. DOI: 10.1353/tt.1999.0012
  5. restricted access View |
  1. The Impact of Acting on Student Actors: Boundary Blurring, Growth, and Emotional Distress
  2. Suzanne Burgoyne, Karen Poulin, Ashley Rearden
  3. pp. 157-179
  4. DOI: 10.1353/tt.1999.0011
  5. restricted access View |
  1. The Four Fundamental Verbs: An Approach to Playing Actions
  2. Paul Kassel
  3. pp. 181-195
  4. DOI: 10.1353/tt.1999.0013
  5. restricted access View |
  1. Rehearsing Dramaturgy: Olivia's Moment
  2. Geoffrey S. Proehl
  3. pp. 197-205
  4. DOI: 10.1353/tt.1999.0014
  5. restricted access View |
  1. Editor's Comments
  2. Harley Erdman
  3. pp. iv-v
  4. DOI: 10.1353/tt.1999.0016
  5. restricted access View |