1. Two Opposite Animals? Voice, Text, and Gender on Stage.
  2. Pamela R. Hendrick
  3. pp. 113-125
  4. DOI: 10.1353/tt.1998.0011
  5. restricted access View |
  1. Building on the Abyss: Susan Glaspell's The Verge in Production.
  2. Stephen J. Bottoms
  3. pp. 127-147
  4. DOI: 10.1353/tt.1998.0008
  5. restricted access View |
  1. On Not Performing Madness.
  2. Rachel Fensham
  3. pp. 149-171
  4. DOI: 10.1353/tt.1998.0009
  5. restricted access View |
  1. Somatic Processes: Convergence of Theory and Practice.
  2. Barbara Sellers-Young
  3. pp. 173-187
  4. DOI: 10.1353/tt.1998.0013
  5. restricted access View |
  1. Acting Integrative: Interdisciplinarity and Theatre Pedagogy.
  2. Pauline D. Gagnon
  3. pp. 189-204
  4. DOI: 10.1353/tt.1998.0010
  5. restricted access View |
  1. Media Acting: An Affordable Reality with Portable Equipment.
  2. John Rustan
  3. pp. 205-218
  4. DOI: 10.1353/tt.1998.0012
  5. restricted access View |
  1. Editor's Comments
  2. Jenny S. Spencer
  3. pp. iii-iv
  4. DOI: 10.1353/tt.1998.0014
  5. restricted access View |