1. Acting Access
  2. Robert Barton, Amy Sarno-Fradkin
  3. pp. 1-14
  4. DOI: 10.1353/tt.1996.0007
  5. restricted access View |
  1. Meyerhold at Rehearsal: New Materials on Meyerhold's Work with Actors
  2. Anna Muza
  3. pp. 15-30
  4. DOI: 10.1353/tt.1996.0009
  5. restricted access View |
  1. The Period Movement Score: Embodying Style in Training and Performance
  2. Jennifer Martin
  3. pp. 31-41
  4. DOI: 10.1353/tt.1996.0003
  5. restricted access View |
  1. "I Don't Have Time to Teach Writing": The Artist's Journal in Theatre Courses
  2. Susan C. Haedicke
  3. pp. 43-50
  4. DOI: 10.1353/tt.1996.0008
  5. restricted access View |
  1. Ever After: Reading the Women Who Read (and Re-Write) Romances
  2. Karen S. Mitchell
  3. pp. 51-69
  4. DOI: 10.1353/tt.1996.0005
  5. restricted access View |
  1. Prolegomenon to Gallery Theatre: Staging/Performing Fusing, Shifting, and Contrasting Horizons
  2. Allen N. Kepke, Ronald E. Shields
  3. pp. 71-90
  4. DOI: 10.1353/tt.1996.0006
  5. restricted access View |
  1. A Cornerstone for Rethinking Community Theatre
  2. Sonja Kuftinec
  3. pp. 91-104
  4. DOI: 10.1353/tt.1996.0004
  5. restricted access View |
  1. Editor's Comment
  2. Suzanne Burgoyne
  3. p. iv
  4. DOI: 10.1353/tt.1996.0001
  5. restricted access View |
  1. Errata
  2. Suzanne Burgoyne
  3. pp. v-vi
  4. DOI: 10.1353/tt.1996.0002
  5. restricted access View |