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In this Issue

Table of Contents

  1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 6-9
  4. restricted access
  1. The Holocaust on Film: The Feature Films: Introduction
  2. Larry Wilcox
  3. pp. 10-13
  4. DOI: https://doi.org/10.1353/flm.2002.a396007
  5. restricted access
  1. From Weimar to Hollywood: Christian Images and the Portrayal of the Jew
  2. Nancy Thomas Brown
  3. pp. 14-23
  4. DOI: https://doi.org/10.1353/flm.2002.a396008
  5. restricted access
  1. West German and Unified German Cinema's Difficult Encounter with the Holocaust
  2. Mark A. Wolfgram
  3. pp. 24-37
  4. DOI: https://doi.org/10.1353/flm.2002.a396009
  5. restricted access
  1. Holocaust Iconography in American Feature Films About Neo-Nazis
  2. Lawrence Baron
  3. pp. 38-47
  4. DOI: https://doi.org/10.1353/flm.2002.a396010
  5. restricted access
  1. All Rules Barred: A Defense of Spielberg's Schindler's List
  2. Eric Sterling
  3. pp. 62-71
  4. DOI: https://doi.org/10.1353/flm.2002.a396012
  5. restricted access
  1. Reel American History: An Archive Built by Novices
  2. Edward J. Gallagher
  3. pp. 82-85
  4. DOI: https://doi.org/10.1353/flm.2002.a396014
  5. restricted access
  1. Hart's War (2002): a Technical Advisor's Retrospective
  2. Robert C. Doyle
  3. pp. 86-90
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Book Reviews

  1. Guts and Glory: The Making of the American Military Image in Film (review)
  2. Robert Fyne
  3. pp. 91-92
  4. restricted access
  1. Comedy is a Man in Trouble: Slapstick in American Movies (review)
  2. Brad Duren
  3. pp. 92-93
  4. restricted access
  1. Nursery Realms: Children in the Worlds of Science Fiction, Fantasy, and Horror (review)
  2. John W. Wright
  3. pp. 93-94
  4. restricted access
  1. Silent Stars Speak: Interviews with Twelve Cinema Pioneers (review)
  2. Robert Fyne
  3. pp. 94-95
  4. restricted access
  1. The Sixties: 1960-1969, and: Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 (review)
  2. Michael S. Shull
  3. pp. 95-96
  4. restricted access
  1. Jane Austen in Hollywood (review)
  2. Lisa Ossian
  3. pp. 96-97
  4. restricted access
  1. Didn't You Used to be Depardieu? (review)
  2. David Lancaster
  3. pp. 97-98
  4. restricted access
  1. Shot in America: Television, the State, and the Rise of Chicano Cinema (review)
  2. Angela Schwarz
  3. pp. 98-99
  4. restricted access
  1. Vintage Science Fiction Films, 1896-1949 (review)
  2. Andrew Gaskievicz
  3. pp. 99-100
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  1. The Horror Genre: From Beelzebub to Blair Witch (review)
  2. Elizabeth Abele
  3. pp. 100-101
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Film Reviews

  1. Star Wars Episode II: Attack of the Clones
  2. Emery G. Lee III
  3. pp. 102-103
  4. restricted access
  1. K-19: The Widowmaker
  2. Christina Lane
  3. pp. 103-105
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  1. Anachronism Old and New: A Knight's Tale and Black Knight
  2. Heather Richardson Hayton
  3. pp. 105-107
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  1. Lemonade Joe (Limonádovy Joe)
  2. Thomas M. Barrett
  3. p. 107
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  1. Minority Report
  2. Jason Vest
  3. pp. 108-109
  4. restricted access
  1. Y tu mamá también
  2. José R. Ballesteros
  3. pp. 109-110
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  1. Road To Perdition (Mendes 2002)
  2. Marc Oxoby
  3. pp. 110-112
  4. restricted access