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In this Issue

Table of Contents

  1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-4
  4. restricted access
  1. Posttraumatic Cinema and the Holocaust Documentary
  2. Joshua Hirsch
  3. pp. 9-21
  4. DOI: https://doi.org/10.1353/flm.2002.a400220
  5. restricted access
  1. The Voice of Silence: Alain Resnais' Night and Fog and collective memory in post-Holocaust France, 1944-1974
  2. Louisa Rice
  3. pp. 22-29
  4. DOI: https://doi.org/10.1353/flm.2002.a400221
  5. restricted access
  1. The Rites of Responsibility: The Cinematic Rhetoric of Claude Lanzmann's Shoah (1985)
  2. Jay Geller
  3. pp. 30-37
  4. DOI: https://doi.org/10.1353/flm.2002.a400222
  5. restricted access
  1. "The Truth of a Mad Man": Collective Memory and Representation of the Holocaust in The Partisans of Vilna (1986) and the Documentary Genre
  2. Scott C. Zeman, Mark Chasins Samuels
  3. pp. 38-42
  4. DOI: https://doi.org/10.1353/flm.2002.a400223
  5. restricted access
  1. Reframing the Photographer and His Photographs: Photographer (1995)
  2. Frances Guerin
  3. pp. 43-54
  4. DOI: https://doi.org/10.1353/flm.2002.a400224
  5. restricted access
  1. Hollywood's Holocaust: Schindlers List and the Construction of Memory
  2. Lynn Rapaport
  3. pp. 55-65
  4. DOI: https://doi.org/10.1353/flm.2002.a400225
  5. restricted access
  1. Jeffrey Ruoff's An American Family: A Televised Life: Reviewing the Roots of Reality Television
  2. Jason Landrum, Deborah Carmichael
  3. pp. 66-70
  4. DOI: https://doi.org/10.1353/flm.2002.a400226
  5. restricted access
  1. American Masters: "Sam Goldwyn" (PBS)
  2. Christina Lane
  3. pp. 71-72
  4. restricted access
  1. American Masters: "F. Scott Fitzgerald: Winter Dreams" (PBS)
  2. Todd Fisher
  3. pp. 72-73
  4. restricted access
  1. The Shock of the New: Art 21 Takes the Art Documentary into the Twenty-First Century
  2. Leesa Rittelmann
  3. pp. 73-74
  4. restricted access
  1. Old War/New War: Band of Brothers and the Revival of the WWII War Film
  2. Thomas Schatz
  3. pp. 74-78
  4. restricted access
  1. Frontline: American Porn (PBS)
  2. Michelle Janning
  3. pp. 78-80
  4. restricted access
  1. Frontline: "The Monster that Ate Hollywood" (PBS)
  2. Tim Coleman
  3. pp. 80-81
  4. restricted access
  1. From Hell: (The Hughes Brothers 2001) & Ghost World (Zwigoff 2001)
  2. Marc Oxoby
  3. pp. 81-83
  4. restricted access
  1. Mulholland Drive (Lynch 2001)
  2. Gregory Weight
  3. pp. 83-84
  4. restricted access
  1. O (Nelson 2001)
  2. Patrick Finn
  3. pp. 84-85
  4. restricted access
  1. Pleasantville (Ross 1998)
  2. Robb McDaniel
  3. pp. 85-86
  4. restricted access
  1. Six Feet Under and Post-Patriarchal Society
  2. Robert Tobin
  3. pp. 87-88
  4. restricted access
  1. Through the Consul's Eye: (Amat 1999, First Run/Icarus Films)
  2. De-nin D. Lee
  3. pp. 89-90
  4. restricted access
  1. Print the Legend: The Life and Times of John Ford (review)
  2. Robert C. Sickels
  3. pp. 91-92
  4. restricted access
  1. Television Histories: Shaping Collective Memory in the Media Age (review)
  2. Robert Fyne
  3. pp. 92-93
  4. restricted access
  1. Identifying Hollywood's Audiences: Cultural Identity and the Movies (review)
  2. Robert W. Matson
  3. pp. 93-94
  4. restricted access
  1. Dalton Trumbo, Hollywood Rebel (review)
  2. Robert Fyne
  3. pp. 94-95
  4. restricted access
  1. A Chorus of Raspberries. British Film Comedy 1929-1939 (review)
  2. Angela Schwarz
  3. p. 95
  4. restricted access
  1. A Place to Remember, Using History to Build Community (review)
  2. William Paquette
  3. p. 96
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  1. Real Images: Soviet Cinema and the Thaw (review)
  2. James Krukones
  3. pp. 96-97
  4. restricted access
  1. Abraham Lincoln: Twentieth Century Popular Portrayals (review)
  2. Lawrence Crider
  3. pp. 97-98
  4. restricted access
  1. Parody as Film Genre: Never Give a Saga an Even Break (review)
  2. William Paquette
  3. pp. 98-99
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  1. Reconstructing Woody: Art, Love, and Life in the Films of Woody Allen (review)
  2. Ron Briley
  3. pp. 99-100
  4. restricted access
  1. King Arthur on Film New Essays on Arthurian Cinema (review)
  2. Michael Marino
  3. pp. 100-101
  4. restricted access
  1. Film & Art (review)
  2. Michael Strada
  3. pp. 101-102
  4. restricted access
  1. Controlling Hollywood: Censorship and Regulation in the Studio Era (review)
  2. Robert Sickels
  3. p. 102
  4. restricted access
  1. Classic Hollywood, Classic Whiteness (review)
  2. Robert Fyne
  3. pp. 103-104
  4. restricted access
  1. The First World War and Popular Cinema, 1914 to the Present (review)
  2. Robert W. Matson
  3. p. 104
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  1. Destination Hollywood: The Influence of Europeans on American Filmmaking (review)
  2. Michael S. Shull
  3. pp. 104-105
  4. restricted access
  1. It's Only a Movie! Films and Critics in American Culture (review)
  2. Robert Fyne
  3. pp. 105-106
  4. restricted access
  1. Nitrate Won't Wait, A History of Film Preservation in the United States (review)
  2. William Paquette
  3. pp. 106-107
  4. restricted access
  1. Sure Seaters: The Emergence of the Art House Cinema (review)
  2. Harvey Young
  3. pp. 107-108
  4. restricted access
  1. The Silent Screen & My Talking Heart (review)
  2. Jason Wojcik
  3. pp. 108-109
  4. restricted access
  1. Order in the Universe: The Films of John Carpenter (review)
  2. Jason Vest
  3. pp. 109-110
  4. restricted access
  1. Hollywood Fictions: The Dream Factory in American Popular Literature (review)
  2. Marc Oxoby
  3. p. 110
  4. restricted access
  1. Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audiences, and: Straight Lick: The Cinema of Oscar Micheaux (review)
  2. Andy Smith
  3. pp. 111-112
  4. restricted access
  1. Introduction
  2. Larry Wilcox
  3. pp. 5-8
  4. restricted access