1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-4
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  1. Posttraumatic Cinema and the Holocaust Documentary
  2. Joshua Hirsch
  3. pp. 9-21
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  1. The Voice of Silence: Alain Resnais' Night and Fog and collective memory in post-Holocaust France, 1944-1974
  2. Louisa Rice
  3. pp. 22-29
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  1. The Rites of Responsibility: The Cinematic Rhetoric of Claude Lanzmann's Shoah (1985)
  2. Jay Geller
  3. pp. 30-37
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  1. Reframing the Photographer and His Photographs: Photographer (1995)
  2. Frances Guerin
  3. pp. 43-54
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  1. Hollywood's Holocaust: Schindlers List and the Construction of Memory
  2. Lynn Rapaport
  3. pp. 55-65
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  1. Jeffrey Ruoff's An American Family: A Televised Life: Reviewing the Roots of Reality Television
  2. Jason Landrum, Deborah Carmichael
  3. pp. 66-70
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  1. American Masters: "Sam Goldwyn" (PBS)
  2. Christina Lane
  3. pp. 71-72
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  1. American Masters: "F. Scott Fitzgerald: Winter Dreams" (PBS)
  2. Todd Fisher
  3. pp. 72-73
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  1. The Shock of the New: Art 21 Takes the Art Documentary into the Twenty-First Century
  2. Leesa Rittelmann
  3. pp. 73-74
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  1. Old War/New War: Band of Brothers and the Revival of the WWII War Film
  2. Thomas Schatz
  3. pp. 74-78
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  1. Frontline: American Porn (PBS)
  2. Michelle Janning
  3. pp. 78-80
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  1. Frontline: "The Monster that Ate Hollywood" (PBS)
  2. Tim Coleman
  3. pp. 80-81
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  1. From Hell: (The Hughes Brothers 2001) & Ghost World (Zwigoff 2001)
  2. Marc Oxoby
  3. pp. 81-83
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  1. Mulholland Drive (Lynch 2001)
  2. Gregory Weight
  3. pp. 83-84
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  1. O (Nelson 2001)
  2. Patrick Finn
  3. pp. 84-85
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  1. Pleasantville (Ross 1998)
  2. Robb McDaniel
  3. pp. 85-86
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  1. Six Feet Under and Post-Patriarchal Society
  2. Robert Tobin
  3. pp. 87-88
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  1. Through the Consul's Eye: (Amat 1999, First Run/Icarus Films)
  2. De-nin D. Lee
  3. pp. 89-90
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  1. Print the Legend: The Life and Times of John Ford (review)
  2. Robert C. Sickels
  3. pp. 91-92
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  1. Television Histories: Shaping Collective Memory in the Media Age (review)
  2. Robert Fyne
  3. pp. 92-93
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  1. Identifying Hollywood's Audiences: Cultural Identity and the Movies (review)
  2. Robert W. Matson
  3. pp. 93-94
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  1. Dalton Trumbo, Hollywood Rebel (review)
  2. Robert Fyne
  3. pp. 94-95
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  1. A Chorus of Raspberries. British Film Comedy 1929-1939 (review)
  2. Angela Schwarz
  3. p. 95
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  1. A Place to Remember, Using History to Build Community (review)
  2. William Paquette
  3. p. 96
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  1. Real Images: Soviet Cinema and the Thaw (review)
  2. James Krukones
  3. pp. 96-97
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  1. Abraham Lincoln: Twentieth Century Popular Portrayals (review)
  2. Lawrence Crider
  3. pp. 97-98
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  1. Parody as Film Genre: Never Give a Saga an Even Break (review)
  2. William Paquette
  3. pp. 98-99
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  1. Reconstructing Woody: Art, Love, and Life in the Films of Woody Allen (review)
  2. Ron Briley
  3. pp. 99-100
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  1. King Arthur on Film New Essays on Arthurian Cinema (review)
  2. Michael Marino
  3. pp. 100-101
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  1. Film & Art (review)
  2. Michael Strada
  3. pp. 101-102
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  1. Controlling Hollywood: Censorship and Regulation in the Studio Era (review)
  2. Robert Sickels
  3. p. 102
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  1. Classic Hollywood, Classic Whiteness (review)
  2. Robert Fyne
  3. pp. 103-104
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  1. The First World War and Popular Cinema, 1914 to the Present (review)
  2. Robert W. Matson
  3. p. 104
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  1. Destination Hollywood: The Influence of Europeans on American Filmmaking (review)
  2. Michael S. Shull
  3. pp. 104-105
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  1. It's Only a Movie! Films and Critics in American Culture (review)
  2. Robert Fyne
  3. pp. 105-106
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  1. Nitrate Won't Wait, A History of Film Preservation in the United States (review)
  2. William Paquette
  3. pp. 106-107
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  1. Sure Seaters: The Emergence of the Art House Cinema (review)
  2. Harvey Young
  3. pp. 107-108
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  1. The Silent Screen & My Talking Heart (review)
  2. Jason Wojcik
  3. pp. 108-109
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  1. Order in the Universe: The Films of John Carpenter (review)
  2. Jason Vest
  3. pp. 109-110
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  1. Hollywood Fictions: The Dream Factory in American Popular Literature (review)
  2. Marc Oxoby
  3. p. 110
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  1. Introduction
  2. Larry Wilcox
  3. pp. 5-8
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