restricted access   Volume 31, Number 1, 2001

Table of Contents

Special Focus: Cold War (Part 1)

The Editor's Reflections and Reports

pp. 1-3


pp. 4-5

Hollywood and Politics Caught in the Cold War Crossfire (1947)

pp. 6-12

All East on the Western Frontier: John Ford's My Darling Clementine (1946)

pp. 13-21

Fear of the Public Sphere: The Boxing Film in Cold War America (1947-1957)

pp. 22-27

John Wayne and Big Jim McLain (1952): The Duke's Cold War Legacy

pp. 28-33

"Oh, You Thing from Another World, You": How Warner Bros. Animators Responded to the Cold War (1948-1980)

pp. 34-39

George F. Kennan as Represented by Chuck Jones: Road Runner and the Cold War Policy of Containment (1949-1980)

pp. 40-43

"Eine Revolution des Films": The Third Man (1949), The Cold War and Alternatives to Nationalism & Coca-colonization in Europe

pp. 44-53

Students For a Democratic Society, Heroically Portrayed, Before the Inexplicable Fall: Consensus History in a Left Film

pp. 54-57

An Interview with Robert Toplin (Fall, 2000)

pp. 58-59

On Why We Fight: History, Documentation, and the Newsreel (1946)

pp. 60-62

Film Reviews

The Corner: An HBO Miniseries (Aired Spring, 2000)

pp. 63-65

Go Moan for Man: The Literary Odyssey of Jack Kerouac: (A RealFilms Production)

pp. 65-66

Ali-Frazier 1: One Nation Divisible: An HBO Sports Documentary (Originally aired in Fall 2000)

p. 66

Human Remains: A Locomotion Films Release, 1998.

pp. 66-67

Napolean: A PBS Documentary Aired in Fall 2000

pp. 67-69

Thirteen Days: A New Line Cinema Release Fall 2000

pp. 69-70

Book Reviews

Hollywood as Historian: American Film in a Cultural Context (review)

p. 71

Silent Films, 1877-1996: A Critical Guide to 646 Movies (review)

pp. 71-72

Seductive Cinema: The Art of Silent Film (review)

pp. 72-73

Shakespeare on Film (review)

pp. 73-74

The Theater and Cinema of Buster Keaton (review)

pp. 74-75

Constructing Wildlife: Reel Nature: America's Romance with Wildlife on Film (review)

pp. 75-76

Feminism and Documentary (review)

pp. 76-77

Lawrence of Arabia: A Film's Anthropology (review)

pp. 77-78