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  Volume 11, 1995

Table of Contents

Preface

pp. ix-xi
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Acknowledgments

p. vii
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On Autobiographical Filmmaking

pp. 1-12
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Consolidating, Consuming, and Annulling Identity in Jutta Brückner's Hungerjahre

pp. 13-33
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Margarethe von Trotta's Sisters: "Brides Under a Different Law"

pp. 35-47
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Enacting the Different Voice: Christa Klages and Feminist History

pp. 49-65
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"Germany, Pale Mother": On the Mother Figures in New German Women's Film

pp. 67-80
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"Gender Censorship": On Literary Production in German Romanticism

pp. 81-97
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Aspects of Censorship in the Work of Karoline von Günderrode

pp. 99-112
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Woman as Will and Representation: Nietzsche's Contribution to Postmodern Feminism

pp. 113-129
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From "Halbtier" to "Übermensch": Helene Böhlau's Iconoclastic Reversal of Cultural Images

pp. 131-150
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Vicki Baum and the "Making" of Popular Success: "Mass" Culture or "Popular" Culture?

pp. 151-169
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Motherhood and the "New Woman": Vicki Baum's stud. chem. Helene Willfüer and Irmgard Keun's Gilgi-eine von uns

pp. 171-188
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Feminist Criticism and Bakhtin's Dialogic Principle: Making the Transition from Theory to Textual Analysis

pp. 189-203
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The Body in the Discourses of Colonial Savage and European Woman during the Enlightenment

pp. 205-221
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The Generational Compact: Graduate Students and Germanics

pp. 223-227
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Contributors

About the Authors

pp. 229-232
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Index

Contents of Previous Volumes

pp. 235-238
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