1. On Autobiographical Filmmaking
  2. Jutta Brückner, Jeanette Clausen
  3. pp. 1-12
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  1. Consolidating, Consuming, and Annulling Identity in Jutta Brückner's Hungerjahre
  2. Margaret McCarthy
  3. pp. 13-33
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  1. Margarethe von Trotta's Sisters: "Brides Under a Different Law"
  2. Janice Mouton
  3. pp. 35-47
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  1. Enacting the Different Voice: Christa Klages and Feminist History
  2. Jenifer K. Ward
  3. pp. 49-65
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  1. "Germany, Pale Mother": On the Mother Figures in New German Women's Film
  2. Renate Möhrmann
  3. pp. 67-80
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  1. "Gender Censorship": On Literary Production in German Romanticism
  2. Barbara Becker-Cantarino, Jeanette Clausen
  3. pp. 81-97
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  1. Aspects of Censorship in the Work of Karoline von Günderrode
  2. Dagmar von Hoff
  3. pp. 99-112
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  1. Woman as Will and Representation: Nietzsche's Contribution to Postmodern Feminism
  2. Lewis Call
  3. pp. 113-129
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  1. From "Halbtier" to "Übermensch": Helene Böhlau's Iconoclastic Reversal of Cultural Images
  2. Alyth F. Grant
  3. pp. 131-150
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  1. Vicki Baum and the "Making" of Popular Success: "Mass" Culture or "Popular" Culture?
  2. Lynda J. King
  3. pp. 151-169
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  1. Motherhood and the "New Woman": Vicki Baum's stud. chem. Helene Willfüer and Irmgard Keun's Gilgi-eine von uns
  2. Katharina von Ankum
  3. pp. 171-188
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  1. Feminist Criticism and Bakhtin's Dialogic Principle: Making the Transition from Theory to Textual Analysis
  2. Friederike Eigler
  3. pp. 189-203
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  1. The Body in the Discourses of Colonial Savage and European Woman during the Enlightenment
  2. Imke Lode
  3. pp. 205-221
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  1. The Generational Compact: Graduate Students and Germanics
  2. Sara Friedrichsmeyer, Patricia Herminghouse
  3. pp. 223-227
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  1. About the Authors
  2. pp. 229-232
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  1. Acknowledgments
  2. p. vii
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  1. Preface
  2. Sara Friedrichsmeyer, Patricia Herminghouse
  3. pp. ix-xi
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  1. Contents of Previous Volumes
  2. pp. 235-238
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