restricted access   Volume 41, Numbers 3, Fall 2009

Table of Contents

From: Studies in the Novel

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From Involuntary Object to Voluntary Spy: Female Agency, Novels, and the Marketplace in Northanger Abbey

pp. 277-292

Somatic Syntax: Replotting the Developmental Narrative in Carson McCullers’s The Member of the Wedding

pp. 293-313

The Haunted House of American Fiction: William Gaddis’s Carpenter’s Gothic

pp. 314-329

Unsettling Stories: Disruptive Narrative Strategies in Marina Warner’s Indigo and the Leto Bundle

pp. 330-347

“That Little Incandescence”: Reading the Fragmentary and John Calvin in Marilynne Robinson’s Gilead

pp. 348-367


Melville, Three Ways

pp. 368-375


The Image of the English Gentleman in Twentieth-Century Literature: Englishness and Nostalgia (review)

pp. 378-379

Reading American Novels and Multicultural Aesthetics: Romancing the Postmodern Novel (review)

pp. 380-382

The Gun and the Pen: Hemingway, Fitzgerald, Faulkner, and the Fiction of Mobilization (review)

pp. 383-384

Jack Kerouac and the Literary Imagination, and: Action Writing: Jack Kerouac’s Wild Form (review)

pp. 384-387

African, Native, and Jewish American Literature and the Reshaping of Modernism (review)

pp. 387-390

Narratives of Class in New Irish and Scottish Literature (review)

pp. 390-391

Telegraphic Realism: Victorian Fiction and Other Information Systems (review)

pp. 392-394

The Burdens of Perfection: On Ethics and Reading in Nineteenth-Century British Literature (review)

pp. 395-397

African American Literature and the Classicist Tradition: Black Women Writers from Wheatley to Morrison (review)

pp. 397-399