We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 53, Number 4, December 2001

Table of Contents

From: Theatre Journal

Previous Issue Next Issue


pp. v-vii


Migration, Fragmentation, and Identity: Zora Neale Hurston's Color Struck and the Geography of the Harlem Renaissance

pp. 533-550

Drama and the Rhythm of Work in the 1920s

pp. 551-567

Doing Things with Image Schemas: The Cognitive Turn in Theatre Studies and the Problem of Experience for Historians

pp. 569-594

Broken Pencils and Crouching Dictators: Issues of Censorship in Contemporary Argentine Theatre

pp. 595-605

Embodied Memory in Las Horas de Belen. A Book of Hours

pp. 607-632

Performance Review

Ninth Festival de Theatre des Ameriques (review)

pp. 633-636

The Silver River (review)

pp. 636-638

The Year of the Dragon (review)

pp. 638-640

Sonezaki Shinju (Love Suicides at Sonezaki), and: Tsuri Onna (Fishing for a Wife) (review)

pp. 640-642

Dogeaters (review)

pp. 642-643

The Laramie Project (review)

pp. 644-645

The Marriage (review)

pp. 645-647

Le Bourgeois Gentilhomme (review)

pp. 647-649

Thesee (review)

pp. 649-651

The Winter's Tale (review)

pp. 651-652

Waiting for Godot (review)

pp. 653-655

Diavolo (review)

pp. 655-657

Metamorphoses or the Golden Ass (review)

pp. 657-659

The Lover (review)

pp. 659-661

The Secret (review)

pp. 661-662

Book Review

The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900-1940 (review)

pp. 663-664

Community in Motion: Theatre for Development in Africa, and: Grassroots Theatre: A Search for Regional Arts in America (review)

pp. 664-666

Tokens?: The NYC Asian American Experience on Stage (review)

pp. 666-667

Rethinking Folk Drama (review)

pp. 667-668

Latinas on Stage (review)

pp. 668-670

Connecting Flights (review)

pp. 670-671

Acting with Adler (review)

pp. 671-672

Women's Worlds in Shakespeare's Plays, and: Gender and Performance in Shakespeare's Problem Comedies (review)

pp. 672-674

The Singing and Acting Handbook: Games and Exercises for the Performer, and: The Power of One: The Solo Play for Playwrights, Actors and Directors (review)

pp. 674-675

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access