1. Staging the City with the Good People of New Haven
  2. Sonja Kuftinec
  3. pp. 197-222
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  1. Theatre, Crime and the Edgy City in Post-apartheid Johannesburg
  2. Loren Kruger
  3. pp. 223-252
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  1. Urban National, Suburban Transnational: Civic Theatres and the Urban Development of Toronto's Downtowns
  2. Michael McKinnie
  3. pp. 253-276
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  1. International Casting in Chinese Plays: A Tale of Two Cities
  2. Claire Conceison
  3. pp. 277-290
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  1. Spectacular Failure: Frank Lloyd Wright's Midway Gardens and Chicago Entertainment
  2. Judith A. Sebesta
  3. pp. 291-309
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  1. Doctoral Projects in Progress in Theatre Arts, 2001
  2. Doug Cummins
  3. pp. 311-315
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  1. City for Sale (review)
  2. Susan Vaneta Mason
  3. pp. 317-318
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  1. The Good Person of New Haven (review)
  2. Karen Bovard
  3. pp. 318-320
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  1. Tantalus (review)
  2. Arthur Horowitz
  3. pp. 320-324
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  1. Ion (review)
  2. Megan Sanborn Jones
  3. pp. 324-326
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  1. The Ghost Sonata (review)
  2. John Austin
  3. pp. 328-330
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  1. Don Juan (review)
  2. Henrik Borgstrom
  3. pp. 330-331
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  1. Albert Speer (review)
  2. Jeffrey Stephens
  3. pp. 331-333
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  1. El Secreto de la Torre de Don Fadrique (review)
  2. Catherine Diamond
  3. pp. 334-335
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  1. Herod (review)
  2. Glenda Frank
  3. pp. 335-337
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  1. Brothers and Sisters (review)
  2. Mary Fleischer
  3. pp. 337-339
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  1. Lincoln Center Festival 2000 (review)
  2. Bevya Rosten
  3. pp. 339-342
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  1. Dumrul and Azrael (review)
  2. Anna Krajewska-Wieczorek
  3. pp. 342-343
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  1. Coriolanus (review)
  2. Heidi Holder
  3. pp. 344-345
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  1. Tragedy in Athens: Performance Space and Theatrical Meaning (review)
  2. Karen Bassi
  3. pp. 347-348
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  1. Spectacle Entertainments of Early Imperial Rome (review)
  2. Timothy J. Moore
  3. pp. 348-349
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  1. The Voice of the City: Vaudeville and Popular Culture in New York (review)
  2. Mary C. Henderson
  3. pp. 349-351
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  1. The Portable Theater: American Literature & the Nineteenth-Century Stage (review)
  2. Martin Puchner
  3. pp. 351-352
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  1. Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935 (review)
  2. Leigh Clemons
  3. pp. 352-353
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  1. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama (review)
  2. Erin Hurley
  3. pp. 353-354
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  1. Williams: A Streetcar Named Desire (review)
  2. Thomas P. Adler
  3. pp. 354-355
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  1. Wearing the Breeches: Gender on the Antebellum Stage (review)
  2. Lisa Merrill
  3. pp. 355-357
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  1. Management and the Arts (review)
  2. Linda Donahue
  3. pp. 357-358
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  1. Performing America: Cultural Nationalism in American Theatre (review)
  2. Sean Metzger, Hope Medina
  3. pp. 358-360
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  1. The Changing Room: Sex, Drag, and Theatre (review)
  2. Elizabeth Homan
  3. pp. 360-361
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  1. Introducing Charlotte Charke: Actress, Author, Enigma, and: Voltaire and the Theatre of the Eighteenth Century (review)
  2. Barbara Mackey
  3. pp. 361-363
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  1. Comment
  2. Susan Bennett
  3. pp. iv-vi
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