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  Volume 53, Number 2, May 2001

Table of Contents

From: Theatre Journal

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Comment

pp. iv-vi
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Articles

Staging the City with the Good People of New Haven

pp. 197-222
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Theatre, Crime and the Edgy City in Post-apartheid Johannesburg

pp. 223-252
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Urban National, Suburban Transnational: Civic Theatres and the Urban Development of Toronto's Downtowns

pp. 253-276
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International Casting in Chinese Plays: A Tale of Two Cities

pp. 277-290
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Spectacular Failure: Frank Lloyd Wright's Midway Gardens and Chicago Entertainment

pp. 291-309
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Doctoral Projects in Progress in Theatre Arts, 2001

pp. 311-315
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Performance Review

City for Sale (review)

pp. 317-318
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The Good Person of New Haven (review)

pp. 318-320
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Tantalus (review)

pp. 320-324
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Ion (review)

pp. 324-326
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The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (review)

pp. 326-328
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The Ghost Sonata (review)

pp. 328-330
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Don Juan (review)

pp. 330-331
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Albert Speer (review)

pp. 331-333
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El Secreto de la Torre de Don Fadrique (review)

pp. 334-335
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Herod (review)

pp. 335-337
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Brothers and Sisters (review)

pp. 337-339
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Lincoln Center Festival 2000 (review)

pp. 339-342
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Dumrul and Azrael (review)

pp. 342-343
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Coriolanus (review)

pp. 344-345
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Book Review

Tragedy in Athens: Performance Space and Theatrical Meaning (review)

pp. 347-348
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Spectacle Entertainments of Early Imperial Rome (review)

pp. 348-349
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The Voice of the City: Vaudeville and Popular Culture in New York (review)

pp. 349-351
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The Portable Theater: American Literature & the Nineteenth-Century Stage (review)

pp. 351-352
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Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935 (review)

pp. 352-353
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Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama (review)

pp. 353-354
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Williams: A Streetcar Named Desire (review)

pp. 354-355
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Wearing the Breeches: Gender on the Antebellum Stage (review)

pp. 355-357
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Management and the Arts (review)

pp. 357-358
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Performing America: Cultural Nationalism in American Theatre (review)

pp. 358-360
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The Changing Room: Sex, Drag, and Theatre (review)

pp. 360-361
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Introducing Charlotte Charke: Actress, Author, Enigma, and: Voltaire and the Theatre of the Eighteenth Century (review)

pp. 361-363
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Research Areas

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