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  Volume 53, Number 2, May 2001

Table of Contents

From: Theatre Journal

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pp. iv-vi


Staging the City with the Good People of New Haven

pp. 197-222

Theatre, Crime and the Edgy City in Post-apartheid Johannesburg

pp. 223-252

Urban National, Suburban Transnational: Civic Theatres and the Urban Development of Toronto's Downtowns

pp. 253-276

International Casting in Chinese Plays: A Tale of Two Cities

pp. 277-290

Spectacular Failure: Frank Lloyd Wright's Midway Gardens and Chicago Entertainment

pp. 291-309

Doctoral Projects in Progress in Theatre Arts, 2001

pp. 311-315

Performance Review

City for Sale (review)

pp. 317-318

The Good Person of New Haven (review)

pp. 318-320

Tantalus (review)

pp. 320-324

Ion (review)

pp. 324-326

The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (review)

pp. 326-328

The Ghost Sonata (review)

pp. 328-330

Don Juan (review)

pp. 330-331

Albert Speer (review)

pp. 331-333

El Secreto de la Torre de Don Fadrique (review)

pp. 334-335

Herod (review)

pp. 335-337

Brothers and Sisters (review)

pp. 337-339

Lincoln Center Festival 2000 (review)

pp. 339-342

Dumrul and Azrael (review)

pp. 342-343

Coriolanus (review)

pp. 344-345

Book Review

Tragedy in Athens: Performance Space and Theatrical Meaning (review)

pp. 347-348

Spectacle Entertainments of Early Imperial Rome (review)

pp. 348-349

The Voice of the City: Vaudeville and Popular Culture in New York (review)

pp. 349-351

The Portable Theater: American Literature & the Nineteenth-Century Stage (review)

pp. 351-352

Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935 (review)

pp. 352-353

Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama (review)

pp. 353-354

Williams: A Streetcar Named Desire (review)

pp. 354-355

Wearing the Breeches: Gender on the Antebellum Stage (review)

pp. 355-357

Management and the Arts (review)

pp. 357-358

Performing America: Cultural Nationalism in American Theatre (review)

pp. 358-360

The Changing Room: Sex, Drag, and Theatre (review)

pp. 360-361

Introducing Charlotte Charke: Actress, Author, Enigma, and: Voltaire and the Theatre of the Eighteenth Century (review)

pp. 361-363

Research Areas


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