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  Volume 53, Number 2, May 2001

Table of Contents

From: Theatre Journal

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Comment

pp. iv-vi | DOI: 10.1353/tj.2001.0032

Articles

Staging the City with the Good People of New Haven

pp. 197-222 | DOI: 10.1353/tj.2001.0051

Theatre, Crime and the Edgy City in Post-apartheid Johannesburg

pp. 223-252 | DOI: 10.1353/tj.2001.0050

Urban National, Suburban Transnational: Civic Theatres and the Urban Development of Toronto's Downtowns

pp. 253-276 | DOI: 10.1353/tj.2001.0054

International Casting in Chinese Plays: A Tale of Two Cities

pp. 277-290 | DOI: 10.1353/tj.2001.0036

Spectacular Failure: Frank Lloyd Wright's Midway Gardens and Chicago Entertainment

pp. 291-309 | DOI: 10.1353/tj.2001.0060

Doctoral Projects in Progress in Theatre Arts, 2001

pp. 311-315 | DOI: 10.1353/tj.2001.0037

Performance Review

City for Sale (review)

pp. 317-318 | DOI: 10.1353/tj.2001.0053

The Good Person of New Haven (review)

pp. 318-320 | DOI: 10.1353/tj.2001.0034

Tantalus (review)

pp. 320-324 | DOI: 10.1353/tj.2001.0045

Ion (review)

pp. 324-326 | DOI: 10.1353/tj.2001.0047

The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (review)

pp. 326-328 | DOI: 10.1353/tj.2001.0048

The Ghost Sonata (review)

pp. 328-330 | DOI: 10.1353/tj.2001.0030

Don Juan (review)

pp. 330-331 | DOI: 10.1353/tj.2001.0033

Albert Speer (review)

pp. 331-333 | DOI: 10.1353/tj.2001.0061

El Secreto de la Torre de Don Fadrique (review)

pp. 334-335 | DOI: 10.1353/tj.2001.0038

Herod (review)

pp. 335-337 | DOI: 10.1353/tj.2001.0041

Brothers and Sisters (review)

pp. 337-339 | DOI: 10.1353/tj.2001.0040

Lincoln Center Festival 2000 (review)

pp. 339-342 | DOI: 10.1353/tj.2001.0059

Dumrul and Azrael (review)

pp. 342-343 | DOI: 10.1353/tj.2001.0049

Coriolanus (review)

pp. 344-345 | DOI: 10.1353/tj.2001.0043

Book Review

Tragedy in Athens: Performance Space and Theatrical Meaning (review)

pp. 347-348 | DOI: 10.1353/tj.2001.0031

Spectacle Entertainments of Early Imperial Rome (review)

pp. 348-349 | DOI: 10.1353/tj.2001.0057

The Voice of the City: Vaudeville and Popular Culture in New York (review)

pp. 349-351 | DOI: 10.1353/tj.2001.0042

The Portable Theater: American Literature & the Nineteenth-Century Stage (review)

pp. 351-352 | DOI: 10.1353/tj.2001.0058

Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935 (review)

pp. 352-353 | DOI: 10.1353/tj.2001.0035

Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama (review)

pp. 353-354 | DOI: 10.1353/tj.2001.0046

Williams: A Streetcar Named Desire (review)

pp. 354-355 | DOI: 10.1353/tj.2001.0029

Wearing the Breeches: Gender on the Antebellum Stage (review)

pp. 355-357 | DOI: 10.1353/tj.2001.0055

Management and the Arts (review)

pp. 357-358 | DOI: 10.1353/tj.2001.0039

Performing America: Cultural Nationalism in American Theatre (review)

pp. 358-360 | DOI: 10.1353/tj.2001.0056

The Changing Room: Sex, Drag, and Theatre (review)

pp. 360-361 | DOI: 10.1353/tj.2001.0044

Introducing Charlotte Charke: Actress, Author, Enigma, and: Voltaire and the Theatre of the Eighteenth Century (review)

pp. 361-363 | DOI: 10.1353/tj.2001.0052

Research Areas

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