Volume 3, 1996

Table of Contents

From the Editor

pp. i-vi
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Contributors

pp. vii-ix
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Articles

Nabokov's Poetics of Vision, or What Anna Karenina is Doing in Kamera obskura

pp. 1-12
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Dickens in Nabokov's Invitation to a Beheading: A Figure of Concealment

pp. 13-32
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"People of the Moonlight": Silver Age Parodies in Nabokov's The Eye and The Gift

pp. 33-52
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Timofey Pnin, Vladimir Nabokov, and Marc Szeftel

pp. 53-75
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Many a Pleasant Tussle: Edmund Wilson and the Nabokovian Aesthetic

pp. 77-87
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Visions of a "Perfect Past": Nabokov, Autobiography, Biography, and Fiction

pp. 89-100
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The Salome Motif in Nabokov's Invitation to a Beheading

pp. 101-122
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Nabokov as Lepidopterist: An Informed Appraisal

pp. 123-144
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Forum

Reflections on Modernism: Lolita and Political Engagement, or How the Left and the Right Both Have It Wrong

pp. 145-150
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Review Essay

Nabokov, ou le vrai et l'invraisemblable

pp. 151-210
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Reviews

The Garland Companion to Vladimir Nabokov (review)

pp. 211-215
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The Magician's Doubts (review)

pp. 215-222
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Nabokovs Version von Puškins "Evgenij Onegin." Zwischen Version und Fiktion: Eine übersetzungs- und fiktionstheoretische Untersuchung (review)

pp. 222-225
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"Anti-Bakhtin": luchshaia kniga o Vladimire Nabokove (review)

pp. 225-226
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Madness, Death and Disease in the Fiction of Vladimir Nabokov (review)

pp. 227-229
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Der Tod im Werk Vladimir Nabokovs: Terra Incognita. [Death in Vladimir Nabokov's Œuvre: Terra Incognita.] (review)

pp. 229-233
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Index

Index

pp. 234-239
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