1. In This Issue
  3. DOI: 10.1353/hcs.2011.0097
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  1. Towards a Dialogical Theory of Cultural Liminality. Contemporary Writing and Cultural Identity in Mexico
  2. Lauro Zavala
  3. pp. 9-22
  4. DOI: 10.1353/hcs.2011.0116
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  1. The Hispanic Post-Colonial Tourist
  2. Jaume Martí-Olivella
  3. pp. 23-42
  4. DOI: 10.1353/hcs.2011.0135
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  1. La frontera en el cine mexicano más actual. El jardin del Edén: culturas locales vs cultura global
  2. Concepción Bados-Ciria
  3. pp. 43-62
  4. DOI: 10.1353/hcs.2011.0033
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  1. Bigas Luna's Huevos de oro: Regional Art, Global Commerce
  2. Marvin A. D'Lugo
  3. pp. 63-75
  4. DOI: 10.1353/hcs.2011.0052
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  1. The Dirty Realism of Enrique Medina
  2. David William Foster
  3. pp. 77-96
  4. DOI: 10.1353/hcs.2011.0071
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  1. The Fascist Narrative of Concha Espina
  2. Michael Ugarte
  3. pp. 97-114
  4. DOI: 10.1353/hcs.2011.0089
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  1. Del rosa al negro: subtextos culturales en La flor de mi secreto
  2. José F. Colmeiro
  3. pp. 115-128
  4. DOI: 10.1353/hcs.2011.0108
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  1. "La República va al doctor": síntomas de la Guerra Civil en tres películas de Carlos Saura
  2. Margarita Pillado-Miller
  3. pp. 129-140
  4. DOI: 10.1353/hcs.2011.0127
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  1. Rock and Revolution: An Interview with El Vez, the Mexican Elvis
  2. Susan Larson
  3. pp. 141-152
  4. DOI: 10.1353/hcs.2011.0146
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  1. Todavía en La Luna
  2. Malcolm Alan Compitello, Susan Larson, Darío Alvarez Basso, Antonio Bueno, Pierluigi Cattermole Fioravanti, Ignacio Martínez Lacaci Fortuny, Javier Timmermans de Palma, José Tono Martínez
  3. pp. 153-168
  4. DOI: 10.1353/hcs.2011.0044
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  1. An Aesthetic of Cognitive Mapping: The Boundaries of the Unseminar
  2. Anthony L. Geist, Jeff Hitchin, Lynn Purl, Yvonne Unnold, Michael Weingrad
  3. pp. 169-197
  4. DOI: 10.1353/hcs.2011.0063
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  1. About Our Featured Artist: Antonio Bueno, Fotógrafo
  3. pp. 199-200
  4. DOI: 10.1353/hcs.2011.0082
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  1. The Anthropological Imagination in Latin American Literature (review)
  2. Javier Durán
  3. pp. 201-203
  4. DOI: 10.1353/hcs.2011.0101
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  1. Perspectives in Mexican American Studies: Mexican American Women Changing Images (review)
  2. Adriana Estill
  3. pp. 204-205
  4. DOI: 10.1353/hcs.2011.0120
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  1. Post-totalitarian Fiction (review)
  2. William M. Sherzer
  3. pp. 206-208
  4. DOI: 10.1353/hcs.2011.0139
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  1. Disappearing Acts. Spectacles of Gender and Nationalism in Argentina's "Dirty War" (review)
  2. Charles M. Tatum
  3. pp. 209-211
  4. DOI: 10.1353/hcs.2011.0037
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  1. In the Shadow of the Eagles: Sonora and the Transformation of the Border During the Porfiriato (review)
  2. Oscar J. Martínez
  3. pp. 212-213
  4. DOI: 10.1353/hcs.2011.0056
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  1. Bulls, Bullfighting, and Spanish Identities (review)
  2. George P. Mansour
  3. pp. 214-215
  4. DOI: 10.1353/hcs.2011.0075
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  1. Madrid 1900: The Capital as Cradle of Literature and Culture (review)
  2. Susan Larson
  3. pp. 216-217
  4. DOI: 10.1353/hcs.2011.0093
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  1. Women Writing Women: An Anthology of Spanish-American Theater of the 1980s (review)
  2. Héctor Contreras
  3. pp. 218-219
  4. DOI: 10.1353/hcs.2011.0112
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  1. Refiguring Spain. Cinema/Media/Representation (review)
  2. Malcolm Alan Compitello
  3. pp. 220-222
  4. DOI: 10.1353/hcs.2011.0131
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  1. Theory of History in Ortega y Gasset: The Dawn of Historical Reason (review)
  2. Alvaro A. Ayo
  3. pp. 223-224
  4. DOI: 10.1353/hcs.2011.0029
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  1. The Mapping of New Spain: Indigenous Cartography of the Relaciones Geográficas (review)
  2. Amy S. George
  3. pp. 225-226
  4. DOI: 10.1353/hcs.2011.0048
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  1. Structures of Power: Essays on Twentieth-Century Spanish-American Fiction (review)
  2. Cynthia L. Palmer
  3. pp. 227-228
  4. DOI: 10.1353/hcs.2011.0067
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