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  Volume 50, Number 1, March 1998

Table of Contents

From: Theatre Journal

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Special Issue: Theatre, Diaspora, and the Politics of Home

Comment

DOI: 10.1353/tj.1998.0019

Articles

National Theatre as Colonized Theatre: The Paradox of Habima

pp. 1-20 | DOI: 10.1353/tj.1998.0014

Blackface Nationalism, Cuba 1840-1868

pp. 21-38 | DOI: 10.1353/tj.1998.0015

Barnumizing Diaspora: The "Irish Skylark" Does New Orleans

pp. 39-51 | DOI: 10.1353/tj.1998.0030

Staging the Pacific: Framing Authenticity in Performances for Tourists at the Polynesian Cultural Center

pp. 53-70 | DOI: 10.1353/tj.1998.0001

Diaspora, Nation, and the Failure of Home: Two Contemporary Indian Plays

pp. 71-94 | DOI: 10.1353/tj.1998.0013

Performance Reviews

The Street of the Sun (review)

pp. 95-97 | DOI: 10.1353/tj.1998.0026

13 Dias/13 Days: How the New Zapatistas Shook the World (review)

pp. 97-98 | DOI: 10.1353/tj.1998.0023

Terra Incognita (review)

p. 98 | DOI: 10.1353/tj.1998.0020

Private Battle, and: Woyzeck (review)

pp. 100-101 | DOI: 10.1353/tj.1998.0025

Chap Am So: The Amistad Victory (review)

pp. 101-103 | DOI: 10.1353/tj.1998.0028

Valley Song (review)

pp. 103-105 | DOI: 10.1353/tj.1998.0021

Standard Bank National Arts Festival, Grahamstown, South Africa, 3-13 July 1997 (review)

pp. 105-107 | DOI: 10.1353/tj.1998.0018

Marche Des Arts Du Spectacle Africain (MASA 97) (review)

pp. 108-110 | DOI: 10.1353/tj.1998.0016

Eighteenth International Days of Youth Theatre Festival (review)

pp. 111-113 | DOI: 10.1353/tj.1998.0032

Job -- An Oratorio for Actors (review)

pp. 113-114 | DOI: 10.1353/tj.1998.0027

Metamorphosis (review)

pp. 114-116 | DOI: 10.1353/tj.1998.0024

The Third International Gombrowicz Festival (review)

pp. 116-121 | DOI: 10.1353/tj.1998.0022

Festival de Theatre des Ameriques/Festival of the Americas (review)

pp. 121-125 | DOI: 10.1353/tj.1998.0017

The Kitchen (review)

pp. 125-127 | DOI: 10.1353/tj.1998.0031

How I Learned to Drive (review)

pp. 127-128 | DOI: 10.1353/tj.1998.0029

Books Reviews

Staging the Jew: The Performance of an American Ethnicity, 1860- 1920 (review)

pp. 129-131 | DOI: 10.1353/tj.1998.0007

Cities of the Dead: Circum-Atlantic Performance (review)

pp. 131-132 | DOI: 10.1353/tj.1998.0012

Heiner Muller: Contexts and History: A Collection of Essays from the Sydney German Studies Symposium 1994, and: Drama Contemporary : Germany (review)

pp. 132-134 | DOI: 10.1353/tj.1998.0008

Closet Stages: Joanna Baillie and the Theater Theory of British Romantic Women Writers, and: Romantic Theatricality: Gender, Poetry, and Spectatorship (review)

pp. 134-136 | DOI: 10.1353/tj.1998.0003

Split Britches: Lesbian Practice/Feminist Performance (review)

pp. 136-137 | DOI: 10.1353/tj.1998.0004

Contemporary Plays by Women of Color (review)

pp. 138-139 | DOI: 10.1353/tj.1998.0011

Maria Irene Fornes and Her Critics, and: Fornes: Theater in the Present Tense (review)

pp. 140-141 | DOI: 10.1353/tj.1998.0009

Renaissance Drama by Women: Texts and Documents (review)

pp. 141-142 | DOI: 10.1353/tj.1998.0005

Realism and the American Dramatic Tradition, and: Mimetic Disillusion: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism (review)

pp. 144-145 | DOI: 10.1353/tj.1998.0006

The Dramatic Art of David Storey: The Journey of a Playwright (review)

pp. 145-146 | DOI: 10.1353/tj.1998.0010

Books Received

pp. 146-150 | DOI: 10.1353/tj.1998.0002

Research Areas

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