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  Volume 50, Number 1, March 1998

Table of Contents

From: Theatre Journal

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Special Issue: Theatre, Diaspora, and the Politics of Home



National Theatre as Colonized Theatre: The Paradox of Habima

pp. 1-20

Blackface Nationalism, Cuba 1840-1868

pp. 21-38

Barnumizing Diaspora: The "Irish Skylark" Does New Orleans

pp. 39-51

Staging the Pacific: Framing Authenticity in Performances for Tourists at the Polynesian Cultural Center

pp. 53-70

Diaspora, Nation, and the Failure of Home: Two Contemporary Indian Plays

pp. 71-94

Performance Reviews

The Street of the Sun (review)

pp. 95-97

13 Dias/13 Days: How the New Zapatistas Shook the World (review)

pp. 97-98

Terra Incognita (review)

p. 98

Private Battle, and: Woyzeck (review)

pp. 100-101

Chap Am So: The Amistad Victory (review)

pp. 101-103

Valley Song (review)

pp. 103-105

Standard Bank National Arts Festival, Grahamstown, South Africa, 3-13 July 1997 (review)

pp. 105-107

Marche Des Arts Du Spectacle Africain (MASA 97) (review)

pp. 108-110

Eighteenth International Days of Youth Theatre Festival (review)

pp. 111-113

Job -- An Oratorio for Actors (review)

pp. 113-114

Metamorphosis (review)

pp. 114-116

The Third International Gombrowicz Festival (review)

pp. 116-121

Festival de Theatre des Ameriques/Festival of the Americas (review)

pp. 121-125

The Kitchen (review)

pp. 125-127

How I Learned to Drive (review)

pp. 127-128

Books Reviews

Staging the Jew: The Performance of an American Ethnicity, 1860- 1920 (review)

pp. 129-131

Cities of the Dead: Circum-Atlantic Performance (review)

pp. 131-132

Heiner Muller: Contexts and History: A Collection of Essays from the Sydney German Studies Symposium 1994, and: Drama Contemporary : Germany (review)

pp. 132-134

Closet Stages: Joanna Baillie and the Theater Theory of British Romantic Women Writers, and: Romantic Theatricality: Gender, Poetry, and Spectatorship (review)

pp. 134-136

Split Britches: Lesbian Practice/Feminist Performance (review)

pp. 136-137

Contemporary Plays by Women of Color (review)

pp. 138-139

Maria Irene Fornes and Her Critics, and: Fornes: Theater in the Present Tense (review)

pp. 140-141

Renaissance Drama by Women: Texts and Documents (review)

pp. 141-142

Realism and the American Dramatic Tradition, and: Mimetic Disillusion: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism (review)

pp. 144-145

The Dramatic Art of David Storey: The Journey of a Playwright (review)

pp. 145-146

Books Received

pp. 146-150

Research Areas


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