1. "I Do Exist": From "Black Insurgent" to Negotiating the Hollywood Divide—A Conversation with Julie Dash
  2. Michael T. Martin
  3. pp. 1-16
  4. free access View | Download |
  1. Flaming the Fans: Shame and the Aesthetics of Queer Fandom in Todd Haynes's Velvet Goldmine
  2. Chad Bennett
  3. pp. 17-39
  4. free access View | Download |
  1. Dangerous Fictions: Race, History, and King
  2. Jennifer Fuller
  3. pp. 40-62
  4. free access View | Download |
  1. Batman versus The Green Hornet: The Merchandisable TV Text and the Paradox of Licensing in the Classical Network Era
  2. Avi Santo
  3. pp. 63-85
  4. free access View | Download |
  1. "Tryin' to Get Over": Super Fly, Black Politics, and Post–Civil Rights Film Enterprise
  2. Eithne Quinn
  3. pp. 86-105
  4. free access View | Download |
  1. Contraband Cinema: Piracy, Titanic, and Central Asia
  2. Barbara Klinger
  3. pp. 106-124
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  1. The 21st Pan-African Film and TV Festival (FESPACO): February 28 to March 7, 2009, Ouagadougou, Burkina Faso
  2. Chris Lippard
  3. pp. 125-129
  4. free access View | Download |
  1. Reflections on the Recent Cinephilia Debates
  2. Marijke de Valck
  3. pp. 132-139
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  1. Cinephilia, Stars, and Film Festivals
  2. Liz Czach
  3. pp. 139-145
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  1. The Myth of Total Cinephilia
  2. Jenna Ng
  3. pp. 146-151
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  1. "Les Enfants et les Cinéphiles": The Moment of Epiphany in The Spirit of the Beehive
  2. Chris Darke
  3. pp. 152-158
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  1. Rescuing Fragments: A New Task for Cinephilia
  2. George Toles
  3. pp. 159-166
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  1. Note from the Editors
  2. Amanda D. Lotz, Heather Hendershot
  3. p. 167
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  1. The Making of a Rebel Filmmaker: Makhmalbaf at Large (review)
  2. Negar Mottahedeh
  3. pp. 167-169
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  1. Andrei Tarkovsky: Elements of Cinema (review)
  2. Mark Le Fanu
  3. pp. 170-172
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  1. Kitano Takeshi (review)
  2. Daisuke Miyao
  3. pp. 172-175
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  1. Abel Ferrara (review)
  2. Mark Jancovich
  3. pp. 175-178
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  1. Introduction
  2. Mark Betz
  3. pp. 130-132
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  1. Contributors
  2. p. 166
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