free access   49, Number 2, Winter 2010

Table of Contents

free access   "I Do Exist": From "Black Insurgent" to Negotiating the Hollywood Divide—A Conversation with Julie Dash

pp. 1-16

free access   Flaming the Fans: Shame and the Aesthetics of Queer Fandom in Todd Haynes's Velvet Goldmine

pp. 17-39

free access   Dangerous Fictions: Race, History, and King

pp. 40-62

free access   Batman versus The Green Hornet: The Merchandisable TV Text and the Paradox of Licensing in the Classical Network Era

pp. 63-85

free access   "Tryin' to Get Over": Super Fly, Black Politics, and Post–Civil Rights Film Enterprise

pp. 86-105

free access   Contraband Cinema: Piracy, Titanic, and Central Asia

pp. 106-124

Festival Review

free access   The 21st Pan-African Film and TV Festival (FESPACO): February 28 to March 7, 2009, Ouagadougou, Burkina Faso

pp. 125-129

free access   Introduction

pp. 130-132

free access   Reflections on the Recent Cinephilia Debates

pp. 132-139

In Focus

free access   Cinephilia, Stars, and Film Festivals

pp. 139-145

free access   The Myth of Total Cinephilia

pp. 146-151

free access   "Les Enfants et les Cinéphiles": The Moment of Epiphany in The Spirit of the Beehive

pp. 152-158

free access   Rescuing Fragments: A New Task for Cinephilia

pp. 159-166


free access   Contributors

p. 166

Note from Editor

free access   Note from the Editors

p. 167

Book Reviews

free access   The Making of a Rebel Filmmaker: Makhmalbaf at Large (review)

pp. 167-169

free access   Andrei Tarkovsky: Elements of Cinema (review)

pp. 170-172

free access   Kitano Takeshi (review)

pp. 172-175

free access   Abel Ferrara (review)

pp. 175-178