+ MUSE Alert

In this Issue

Table of Contents

  1. Sinner
  2. Isabelle Brock
  3. pp. 153-161
  4. DOI: https://doi.org/10.1353/thr.0.0158
  5. restricted access
  1. The Hearing
  2. Claudia Emerson
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/thr.0.0162
  5. restricted access
  1. Jubilation
  2. Claudia Emerson
  3. pp. 164-165
  4. DOI: https://doi.org/10.1353/thr.0.0166
  5. restricted access
  1. The Genesis of Venice in Anthony Hecht's "Venetian Vespers"
  2. Jonathan F. S. Post
  3. pp. 166-187
  4. DOI: https://doi.org/10.1353/thr.0.0169
  5. restricted access
  1. My Father's World
  2. Valerie Wohlfeld
  3. p. 188
  4. DOI: https://doi.org/10.1353/thr.0.0172
  5. restricted access
  1. The Life of the Mind
  2. Phillip Lopate
  3. pp. 189-195
  4. DOI: https://doi.org/10.1353/thr.0.0153
  5. restricted access
  1. Zermatt
  2. George Williams
  3. pp. 196-209
  4. DOI: https://doi.org/10.1353/thr.0.0156
  5. restricted access
  1. The Dog Speaks
  2. Michael Salcman
  3. p. 210
  4. DOI: https://doi.org/10.1353/thr.0.0160
  5. restricted access
  1. "Poor Venice … The Supreme Bugbear of Literature"
  2. John Dixon Hunt
  3. pp. 211-232
  4. DOI: https://doi.org/10.1353/thr.0.0164
  5. restricted access
  1. On Hearing Schubert
  2. Anne-Marie Thompson
  3. p. 233
  4. DOI: https://doi.org/10.1353/thr.0.0168
  5. restricted access
  1. The Street Musician
  2. Anne-Marie Thompson
  3. p. 234
  4. DOI: https://doi.org/10.1353/thr.0.0175
  5. restricted access
  1. The Present Participle of History
  2. Angus Fletcher
  3. pp. 235-250
  4. DOI: https://doi.org/10.1353/thr.0.0171
  5. restricted access
  1. Say Cheese
  2. Samuel Hazo
  3. p. 251
  4. DOI: https://doi.org/10.1353/thr.0.0152
  5. restricted access
  1. My Neighbor
  2. Tom Whalen
  3. pp. 252-264
  4. DOI: https://doi.org/10.1353/thr.0.0155
  5. restricted access
  1. The Sick Dog
  2. Jennifer Key
  3. pp. 265-266
  4. DOI: https://doi.org/10.1353/thr.0.0159
  5. restricted access
  1. DVD Chronicle
  2. Jefferson Hunter
  3. pp. 267-276
  4. DOI: https://doi.org/10.1353/thr.0.0163
  5. restricted access
  1. Opera Goes to the Movies
  2. Johanna Keller
  3. pp. 276-280
  4. DOI: https://doi.org/10.1353/thr.0.0167
  5. restricted access
  1. Christopher Wheeldon, Between Ballet's Past and Future
  2. Jay Rogoff
  3. pp. 280-286
  4. DOI: https://doi.org/10.1353/thr.0.0170
  5. restricted access
  1. The Men in My Life (review)
  2. Jean McGarry
  3. pp. 286-288
  4. DOI: https://doi.org/10.1353/thr.0.0173
  5. restricted access
  1. Knockemstiff (review)
  2. Dale Keiger
  3. pp. 288-291
  4. DOI: https://doi.org/10.1353/thr.0.0154
  5. restricted access
  1. Fables of the Self: Studies in Lyric Poetry (review)
  2. Stephen Kampa
  3. pp. 291-295
  4. DOI: https://doi.org/10.1353/thr.0.0157
  5. restricted access
  1. Seven Sculptures
  2. James Surls
  3. pp. i-viii
  4. DOI: https://doi.org/10.1353/thr.0.0165
  5. restricted access
  1. Notes on Contributors
  3. pp. 296-297
  4. DOI: https://doi.org/10.1353/thr.0.0161
  5. restricted access