1. A 21st-Century Pedagogical Plan for Artists: How Should We Be Training Artists for Today?
  2. Jack Ox
  3. p. 2
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  1. Space-Run Artists: Cultural Activism in Contemporary Barcelona
  2. Jeffrey Swartz
  3. pp. 6-7
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  1. The Leonardo/ISAST Student Art Contest
  2. Tami I. Spector
  3. pp. 8-9
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  1. Circadian Capital
  2. Margarita Benitez, Markus Vogl
  3. p. 10
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  1. Telematic Drum Circle
  2. Byeong Sam Jeon
  3. p. 11
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  1. Open Space 2.0
  2. Hung-Lin Hsu, Cheng-I Tsai
  3. p. 12
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  1. Oberhausen Requiem
  2. Hiroki Nishino
  3. p. 13
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  1. A Reward-Driven Process for Local, Noospheric, and Computational Detection of Stochastic Deviation Fields
  2. Cheth Rowe
  3. p. 14
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  1. Afterimage—Mind Frame
  2. Jaewook Shin
  3. p. 15
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  1. Where Are You?
  2. Michiko Tsuda
  3. p. 16
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  1. Color Plates
  2. pp. 17-24
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  1. From Router to Front Row: Lubricious Transfer and the Aesthetics of Telematic Performance
  2. Bob Giges, Edward C. Warburton
  3. pp. 25-32
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  1. Image Contour Fidelity Analysis of Mechanically Aided Enlargements of Jan van Eyck’s Albergati Portrait
  2. Marco F. Duarte, David G. Stork
  3. pp. 43-50
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  1. Digital Art and Experimental Color Systems at Bell Laboratories, 1965–1984: Restoring Interdisciplinary Innovations to Media History
  2. Carolyn L. Kane
  3. pp. 53-58
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  1. Similarities and Contrasts in the Creative Processes of the Sciences and the Arts
  2. Roger Guillemin
  3. pp. 59-62
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  1. “On the Hand from Within”: Palms, Selfhood and Generation in Leonardo’s Anatomical Project
  2. Lea Dovev
  3. pp. 63-69
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  1. Continental Rifts: Contemporary Time-Based Works of Africa (review)
  2. Aparna Sharma
  3. pp. 71-72
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  1. Between Madness and Art: The Prinzhorn Collection (review)
  2. Boris Jardine
  3. p. 72
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  1. Mechanical Love (review)
  2. Martha Blassnigg
  3. pp. 73-74
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  1. Afghan Muscles (review)
  2. Jonathan Zilberg
  3. p. 74
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  1. Weather by the Numbers: The Genesis of Modern Meteorology (review)
  2. Jennifer Ferng
  3. pp. 75-76
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  1. Systematics as Cyberscience: Computers, Change, and Continuity in Science (review)
  2. Amy Ione
  3. pp. 76-77
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  1. On Landscapes (review)
  2. Mike Leggett
  3. pp. 77-78
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  1. The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI (review)
  2. Jussi Parikka
  3. pp. 78-79
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  1. I Am a Monument: On Learning from Las Vegas (review)
  2. Chris Speed
  3. pp. 79-80
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  1. TV by Design: Modern Art and the Rise of Network Television (review)
  2. Jan Baetens
  3. pp. 80-81
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  1. New Media in the White Cube and Beyond: Curatorial Models for Digital Art (review)
  2. Helen Levin
  3. pp. 81-82
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  1. Ghosts of Futures Past: Spiritualism and the Cultural Politics of Nineteenth-Century America (review)
  2. Anthony Enns
  3. pp. 82-83
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  1. Inventing Marcel Duchamp: The Dynamics of Portraiture (review)
  2. Kieran Lyons
  3. pp. 83-84
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  1. Leonardo Reviews On-Line
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  1. Erratum
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  1. Transactions
  2. Ernest Edmonds
  3. p. 87
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  1. Computational Aesthetics as a Negotiated Boundary
  2. Alan F. Blackwell, Neil A. Dodgson
  3. pp. 88-89
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  1. Riders Have Spoken: Replaying and Archiving Pervasive Performances
  2. Alan Chamberlain, Duncan Rowland, Jonathan Foster, Gabriella Giannachi
  3. pp. 90-91
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  1. What’s up Prof?: Current Issues in the Visual Effects & Post-Production Industry
  2. Neil Dodgson, John Patterson, Phil Willis
  3. pp. 92-93
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  1. We Don’t Do Google, We Do Massive Attacks: Notes on Creative R&D Collaborations
  2. Jonathan Foster, Angela Lin, Ernest Edmonds
  3. pp. 94-95
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  1. Rethinking Business Models as Value Creating Systems
  2. Ted Fuller, Lorraine Warren, Sarah Thelwall, Fizza Alamdar, David Rae
  3. pp. 96-97
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  1. Creative Assemblages: Organisation and Outputs of Practice-Led Research
  2. Alex Wilkie, William Gaver, Drew Hemment, Gabriella Giannachi
  3. pp. 98-99
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  1. Leonardo Network News
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