+ MUSE Alert

In this Issue

Table of Contents

  1. Comment
  2. Loren Kruger
  3. DOI: https://doi.org/10.1353/tj.1997.0025
  4. restricted access
    • View HTML View
    • Get Access
  1. Masques, Monuments and Masons: The 1910 Pageant of the Union of South Africa
  2. Peter Merrington
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/tj.1997.0013
  5. restricted access
    • View HTML View
    • Get Access
  1. Imag(in)ing the South African Nation: Representations of Identity in the Rugby World Cup 1995
  2. Jacqueline Maingard
  3. pp. 15-28
  4. DOI: https://doi.org/10.1353/tj.1997.0012
  5. restricted access
    • View HTML View
    • Get Access
  1. The Search for a Cultural Identity: A Personal View of South African "Indian" Theatre
  2. Muthal Naidoo
  3. pp. 29-39
  4. DOI: https://doi.org/10.1353/tj.1997.0014
  5. restricted access
    • View HTML View
    • Get Access
  1. Theatre for Reconciliation: Desire and South African Students
  2. Hazel Estella Barnes
  3. pp. 41-52
  4. DOI: https://doi.org/10.1353/tj.1997.0001
  5. restricted access
    • View HTML View
    • Get Access
  1. Standard Bank National Arts Festival (review)
  2. David Alcock, Michael Carklin
  3. pp. 53-56
  4. DOI: https://doi.org/10.1353/tj.1997.0022
  5. restricted access
    • View HTML View
    • Get Access
  1. Standard Bank National Arts Festival (review)
  2. David Graver
  3. pp. 56-59
  4. DOI: https://doi.org/10.1353/tj.1997.0023
  5. restricted access
    • View HTML View
    • Get Access
  1. Glasshouse (review)
  2. Tamsen Wolff
  3. pp. 60-61
  4. DOI: https://doi.org/10.1353/tj.1997.0017
  5. restricted access
    • View HTML View
    • Get Access
  1. The Beatification of Area Boy (review)
  2. Ben B. Halm
  3. pp. 61-63
  4. DOI: https://doi.org/10.1353/tj.1997.0021
  5. restricted access
    • View HTML View
    • Get Access
  1. Avignon Theatre Festival (review)
  2. Judith Graves Miller
  3. pp. 63-65
  4. DOI: https://doi.org/10.1353/tj.1997.0015
  5. restricted access
    • View HTML View
    • Get Access
  1. The Darker Face of the Earth (review)
  2. William T. Liston
  3. pp. 65-67
  4. DOI: https://doi.org/10.1353/tj.1997.0018
  5. restricted access
    • View HTML View
    • Get Access
  1. Sleep Deprivation Chamber (review)
  2. Robert Vorlicky
  3. pp. 67-69
  4. DOI: https://doi.org/10.1353/tj.1997.0019
  5. restricted access
    • View HTML View
    • Get Access
  1. Whitelands. Part I: Porcelain; Part II: A Language of Their Own; Part III: Half Lives (review)
  2. Michael Reynolds
  3. pp. 75-79
  4. DOI: https://doi.org/10.1353/tj.1997.0024
  5. restricted access
    • View HTML View
    • Get Access
  1. The Bundle (review)
  2. Marvin A. Carlson
  3. pp. 79-81
  4. DOI: https://doi.org/10.1353/tj.1997.0016
  5. restricted access
    • View HTML View
    • Get Access
  1. African Popular Theatre: From Pre-Colonial Times to the Present Day, and: When People Play People: Development Communication Through Theatre (review)
  2. Joachim Fiebach
  3. pp. 83-85
  4. DOI: https://doi.org/10.1353/tj.1997.0008
  5. restricted access
    • View HTML View
    • Get Access
  1. More Market Plays, and: Mooi Street and Other Moves (review)
  2. Marcia Blumberg
  3. pp. 85-87
  4. DOI: https://doi.org/10.1353/tj.1997.0007
  5. restricted access
    • View HTML View
    • Get Access
  1. Ancient Songs Set Ablaze: The Theatre of Femi Osofisan (review)
  2. Tejumola Olaniyan
  3. pp. 87-88
  4. DOI: https://doi.org/10.1353/tj.1997.0011
  5. restricted access
    • View HTML View
    • Get Access
  1. Theater in Israel (review)
  2. Jeanette R. Malkin
  3. pp. 88-90
  4. DOI: https://doi.org/10.1353/tj.1997.0002
  5. restricted access
    • View HTML View
    • Get Access
  1. Italian Opera in Late Eighteenth Century London. Volume I: The King's Theatre, Haymarket, 1778-1791 (review)
  2. Byron Nelson
  3. pp. 90-91
  4. DOI: https://doi.org/10.1353/tj.1997.0010
  5. restricted access
    • View HTML View
    • Get Access
  1. The Theatre in America During the Revolution (review)
  2. Ginger Gail Strand
  3. pp. 91-92
  4. DOI: https://doi.org/10.1353/tj.1997.0003
  5. restricted access
    • View HTML View
    • Get Access
  1. Greek Tragedy on the American Stage: Ancient Drama in the Commercial Theater, 1882-1994 (review)
  2. Dorothy Chansky
  3. pp. 92-93
  4. DOI: https://doi.org/10.1353/tj.1997.0006
  5. restricted access
    • View HTML View
    • Get Access
  1. Aeschylus: Mythic Theatre, Political Voice (review)
  2. Anna Krajewska-Wieczorek
  3. p. 94
  4. DOI: https://doi.org/10.1353/tj.1997.0005
  5. restricted access
    • View HTML View
    • Get Access
  1. Playwright Versus Director: Authorial Intentions and Performance Interpretations, and: Making Plays: The Writer-Director Relationship in the Theatre Today (review)
  2. Dennis J. Reardon
  3. pp. 95-96
  4. DOI: https://doi.org/10.1353/tj.1997.0009
  5. restricted access
    • View HTML View
    • Get Access
  1. The Playwright's Art: Conversations with Contemporary Dramatists, and: One Night Stands: A Critic's View of British Theatre From 1971 to 1991 (review)
  2. William C. Boles
  3. pp. 96-97
  4. DOI: https://doi.org/10.1353/tj.1997.0004
  5. restricted access
    • View HTML View
    • Get Access
  1. Comment
  2. Loren Kruger
  3. pp. iv-v
  4. DOI: https://doi.org/10.1353/tj.1997.0026
  5. restricted access
    • View HTML View
    • Get Access
  1. 1996 Olympic Arts Festival: AT&T Theater Series (review)
  2. Yvonne Singh
  3. pp. 69-74
  4. DOI: https://doi.org/10.1353/tj.1997.0020
  5. restricted access
    • View HTML View
    • Get Access