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  Volume 54, Number 1, Spring 2010 (T 205)

Table of Contents


The Dictionary of Endurative Actions

pp. 2-3

In Memory

Merce Cunningham 1919–2009

pp. 7-9

Pina Bausch 1940–2009

pp. 10-13


Deadness: Technologies of the Intermundane

pp. 14-38

Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman

pp. 39-58

The Limits of Community-Based Theatre: Performance and HIV Prevention in Tanzania

pp. 59-75

Performing the Ramayana in Trinidad

“We Don’t Change It, We Make It Applicable”: Ramlila in Trinidad

pp. 76-105

Performing in the Lap and at the Feet of God: Ramleela in Trinidad, 2006–2008

pp. 106-149

Critical Acts

Dancing Pina Bausch

pp. 150-160

Artifacting an Intercultural Nation: Theatre Replacement’s BIOBOXES

pp. 161-166

Stretching the Truth Way into the Future: Cynthia Hopkins’s The Success of Failure (Or, The Failure of Success)

pp. 167-171


My Life in Art, and: An Actor’s Work (review)

pp. 172-174

Physical Theatres: A Critical Introduction, and: Physical Theatres: A Critical Reader (review)

pp. 174-177

Skills for Actors: Body Language Skills, and: A Moving Presence: Ruth Zaporah and Action Theater (review)

pp. 178-180

Heart of Practice: Within the Workcenter of Jerzy Grotowski and Thomas Richards (review)

pp. 180-183

Guślarz i eremita [The Guslar and the Hermit] (review)

pp. 183-185

Jerzy Grotowski (review)

pp. 185-187

Research Areas


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