1. The Dictionary of Endurative Actions
  2. Cupola Bobber
  3. pp. 2-3
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  1. Merce Cunningham 1919–2009
  2. Susan Leigh Foster
  3. pp. 7-9
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  1. Pina Bausch 1940–2009
  2. Susan Manning
  3. pp. 10-13
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  1. Deadness: Technologies of the Intermundane
  2. Jason Stanyek, Benjamin Piekut
  3. pp. 14-38
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  1. Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman
  2. Johan Callens
  3. pp. 39-58
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  1. The Limits of Community-Based Theatre: Performance and HIV Prevention in Tanzania
  2. Ola Johansson
  3. pp. 59-75
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  1. “We Don’t Change It, We Make It Applicable”: Ramlila in Trinidad
  2. Paula Richman
  3. pp. 76-105
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  1. Performing in the Lap and at the Feet of God: Ramleela in Trinidad, 2006–2008
  2. Milla Cozart Riggio
  3. pp. 106-149
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  1. Dancing Pina Bausch
  2. Daniel Larlham
  3. pp. 150-160
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  1. Artifacting an Intercultural Nation: Theatre Replacement’s BIOBOXES
  2. Kim Solga
  3. pp. 161-166
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  1. Stretching the Truth Way into the Future: Cynthia Hopkins’s The Success of Failure (Or, The Failure of Success)
  2. Gwendolyn Alker
  3. pp. 167-171
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  1. My Life in Art, and: An Actor’s Work (review)
  2. Maria Shevtsova
  3. pp. 172-174
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  1. Skills for Actors: Body Language Skills, and: A Moving Presence: Ruth Zaporah and Action Theater (review)
  2. William Daddario
  3. pp. 178-180
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  1. Heart of Practice: Within the Workcenter of Jerzy Grotowski and Thomas Richards (review)
  2. Alice Rayner
  3. pp. 180-183
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  1. Guślarz i eremita [The Guslar and the Hermit] (review)
  2. Kris Salata
  3. pp. 183-185
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  1. Jerzy Grotowski (review)
  2. Kermit Dunkelberg
  3. pp. 185-187
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  1. Physical Theatres: A Critical Introduction, and: Physical Theatres: A Critical Reader (review)
  2. Phillip Zarrilli
  3. pp. 174-177
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