1. William Faulkner and the Ledgers of History
  2. Sally Wolff
  3. pp. 1-16
  4. restricted access View | Download |
  1. “My Son, My Son!”: Paternalism, Haiti, and Early Twentieth-Century American Imperialism in William Faulkner’s Absalom, Absalom!
  2. Sara Gerend
  3. pp. 17-31
  4. restricted access View | Download |
  1. Southern Expressionism: Apocalyptic Hillscapes, Racial Panoramas, and Lustmord in William Faulkner’s Light in August
  2. Jeffrey Stayton
  3. pp. 32-56
  4. restricted access View | Download |
  1. Poe and the Cogito
  2. Jeffrey Folks
  3. pp. 57-72
  4. restricted access View | Download |
  1. Velvet Coats and Manicured Nails: The Body Speaks Resistance in Dust Tracks on a Road
  2. Tanya Y. Kam
  3. pp. 73-87
  4. restricted access View | Download |
  1. The Chiasmic Embrace of the Natural World in Eudora Welty’s Delta Wedding
  2. Kelly Sultzbach
  3. pp. 88-101
  4. restricted access View | Download |
  1. Disturbing the African American Community: Defamiliarization in Randall Kenan’s Let the Dead Bury Their Dead
  2. Uzzie T. Cannon
  3. pp. 102-121
  4. restricted access View | Download |
  1. The Nature of the South
  2. Scott Romine
  3. pp. 122-128
  4. restricted access View | Download |
  1. Reconsidering Tradition
  2. Barbara Ladd
  3. pp. 129-133
  4. restricted access View | Download |
  1. Ambiguous Adventure: African Americans and the American South
  2. Lovalerie King
  3. pp. 134-138
  4. restricted access View | Download |
  1. Subverting Mythologies: Refiguring Faulkner and Welty
  2. Joseph M. Flora
  3. pp. 139-143
  4. restricted access View | Download |
  1. Aristocrats, Yeomen, and Blue-Collar Folk: Understanding Class in the American South
  2. Caroline S. Miles
  3. pp. 144-148
  4. restricted access View | Download |
  1. Contributors
  2. pp. 149-151
  3. restricted access View | Download |