Volume 42, Number 1, Fall 2009

Table of Contents

Articles

William Faulkner and the Ledgers of History

pp. 1-16
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“My Son, My Son!”: Paternalism, Haiti, and Early Twentieth-Century American Imperialism in William Faulkner’s Absalom, Absalom!

pp. 17-31
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Southern Expressionism: Apocalyptic Hillscapes, Racial Panoramas, and Lustmord in William Faulkner’s Light in August

pp. 32-56
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Poe and the Cogito

pp. 57-72
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Velvet Coats and Manicured Nails: The Body Speaks Resistance in Dust Tracks on a Road

pp. 73-87
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The Chiasmic Embrace of the Natural World in Eudora Welty’s Delta Wedding

pp. 88-101
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Disturbing the African American Community: Defamiliarization in Randall Kenan’s Let the Dead Bury Their Dead

pp. 102-121
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Reviews

The Nature of the South

pp. 122-128
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Reconsidering Tradition

pp. 129-133
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Ambiguous Adventure: African Americans and the American South

pp. 134-138
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Subverting Mythologies: Refiguring Faulkner and Welty

pp. 139-143
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Aristocrats, Yeomen, and Blue-Collar Folk: Understanding Class in the American South

pp. 144-148
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Contributors

Contributors

pp. 149-151
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