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In this Issue

Table of Contents

  1. A Note from the Editor
  2. Kanta Kochhar-Lindgren
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/tt.0.0081
  5. restricted access
  1. Tradition or Travesty?: Radical Reinterpretations of the Musical Theatre Canon
  2. Jessica Hillman
  3. pp. 1-10
  4. DOI: https://doi.org/10.1353/tt.0.0084
  5. restricted access
  1. Acting, Embodiment, and Text: Hedda Gabler and Possible Uses of Cognitive Science
  2. Rhonda Blair
  3. pp. 11-21
  4. DOI: https://doi.org/10.1353/tt.0.0087
  5. restricted access
  1. "We Cry On the Inside": Image Theatre and Rwanda's Culture of Silence
  2. Brent Blair, Angus Fletcher
  3. pp. 23-31
  4. DOI: https://doi.org/10.1353/tt.0.0090
  5. restricted access
  1. Uncle Tom's Cluster: Talking Race
  2. William F. Condee
  3. pp. 33-42
  4. DOI: https://doi.org/10.1353/tt.0.0093
  5. restricted access
  1. Community Theatre of Mizrahi-Jews and Arabs in Ramle: A Junction of Nationality, Ethnicity, and Gender
  2. Naphtaly Shem-Tov
  3. pp. 43-54
  4. DOI: https://doi.org/10.1353/tt.0.0096
  5. restricted access
  1. Forging Cultural Dialogue with an Undergraduate International Play Festival
  2. Joan E. Robbins
  3. pp. 65-76
  4. DOI: https://doi.org/10.1353/tt.0.0083
  5. restricted access
  1. Bertolt Brecht (review)
  2. James M. Brandon
  3. pp. 77-78
  4. DOI: https://doi.org/10.1353/tt.0.0089
  5. restricted access
  1. Toward a Dramaturgical Sensibility: Landscape and Journey (review)
  2. Alicia Kae Koger
  3. pp. 78-79
  4. DOI: https://doi.org/10.1353/tt.0.0085
  5. restricted access
  1. The Routledge Companion to Directors' Shakespeare (review)
  2. David S. Schneider
  3. pp. 79-80
  4. DOI: https://doi.org/10.1353/tt.0.0091
  5. restricted access
  1. Telling Stories: A Grand Unifying Theory of Acting Techniques (review)
  2. Bill Kincaid
  3. pp. 80-81
  4. DOI: https://doi.org/10.1353/tt.0.0082
  5. restricted access
  1. Heart of Practice: Within the Workcenter of Jerzy Grotowski and Thomas Richards (review)
  2. Seth Baumrin
  3. pp. 81-82
  4. DOI: https://doi.org/10.1353/tt.0.0086
  5. restricted access
  1. Stanislavsky in Focus: An Acting Master for the Twenty-First Century, 2nd edition (review)
  2. Missy Thibodeaux-Thompson
  3. pp. 82-83
  4. DOI: https://doi.org/10.1353/tt.0.0094
  5. restricted access
  1. What We Do: Working in the Theatre (review)
  2. Susan Patrick-Benson
  3. pp. 86-87
  4. DOI: https://doi.org/10.1353/tt.0.0088
  5. restricted access
  1. Erratum
  2. p. 87
  3. DOI: https://doi.org/10.1353/tt.0.0095
  4. restricted access
  1. Physical Theatres: A Critical Introduction, and: Physical Theatres: A Critical Reader (review)
  2. T. Fulton Burns
  3. pp. 85-86
  4. DOI: https://doi.org/10.1353/tt.0.0092
  5. restricted access