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Browse Book and Journal Content on Project MUSE

  Number 65, Spring 2010

Table of Contents


pp. 1-2 | DOI: 10.1353/vlt.0.0075

Reclaiming the Freak: Michael Jackson and the Spectacle of Identity

pp. 3-4 | DOI: 10.1353/vlt.0.0078

Hannah Montana’s Bare, Unprotected Back: Miley Cyrus’s Vanity Fair Outing

pp. 5-6 | DOI: 10.1353/vlt.0.0081

Stardom, Celebrity, and the Money Form

pp. 7-19 | DOI: 10.1353/vlt.0.0084

Underexposed Overexposure: One Night in Paris

pp. 20-21 | DOI: 10.1353/vlt.0.0087

Slumdog Celebrities

pp. 22-24 | DOI: 10.1353/vlt.0.0070

Star Testing: The Emerging Politics of Celebrity Gossip

pp. 25-38 | DOI: 10.1353/vlt.0.0073

Toxic: The Implosion of Britney Spears’s Star Image

pp. 39-41 | DOI: 10.1353/vlt.0.0077

Tom Cruise, the “Couch Incident,” and the Limits of Public Elation

pp. 42-43 | DOI: 10.1353/vlt.0.0080

Populist Celebrity in the Election Campaigns of Jesse Ventura and Arnold Schwarzenegger

pp. 44-57 | DOI: 10.1353/vlt.0.0083

Dragging Oscar

pp. 58-59 | DOI: 10.1353/vlt.0.0086

Brangelina: The Fertile Valley of Celebrity

pp. 60-61 | DOI: 10.1353/vlt.0.0069

Book Reviews

Death on Display: Reifying Stardom through Hollywood’s Dark Tourism

pp. 62-70 | DOI: 10.1353/vlt.0.0072

Rihanna’s Closed Eyes

pp. 71-73 | DOI: 10.1353/vlt.0.0076

Dreaming a Dream: Susan Boyle and Celebrity Culture

pp. 74-76 | DOI: 10.1353/vlt.0.0079

The Pregnant Man

pp. 77-78 | DOI: 10.1353/vlt.0.0082

Screening Sex (review)

pp. 79-81 | DOI: 10.1353/vlt.0.0085

Unfriendly Witnesses: Gender, Theater, and Film in the McCarthy Era (review)

pp. 82-83 | DOI: 10.1353/vlt.0.0088

Technophobia! Science Fiction Visions of Posthuman Technology (review)

pp. 84-86 | DOI: 10.1353/vlt.0.0071

Moral Spectatorship: Technologies of Voice and Affect in Postwar Representations of the Child (review)

pp. 87-89 | DOI: 10.1353/vlt.0.0074

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