1. "Green by this Time Tomorrow!": Knut Hamsun's Alternative Modernity
  2. Peter Mortensen
  3. pp. 1-27
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  1. The Uses of Authenticity: Hemingway and the Literary Field, 1926–1936
  2. Timo Müller
  3. pp. 28-42
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  1. The History of Love, the Contemporary Reader, and the Transmission of Holocaust Memory
  2. Jessica Lang
  3. pp. 43-56
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  1. Maps of the World in Its Becoming: Post-Apocalyptic Naming in Cormac McCarthy's The Road
  2. Ashley Kunsa
  3. pp. 57-74
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  1. Bottomless Surfaces: Saul Bellow's "Refreshed Phrenology"
  2. James Clements
  3. pp. 75-91
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  1. Seductive Lines: The Use of Horizontal Bars by Josipovici and Coetzee, and the Art of Seduction
  2. Eric Paul Meljac
  3. pp. 92-101
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  1. Blind Noise and Deaf Visions: Henry Green's Caught, Synaesthesia and the Blitz
  2. Rex Ferguson
  3. pp. 102-116
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  1. Disturbing the Silence: Sound Imagery in Conrad's The Secret Agent
  2. Deborah McLeod
  3. pp. 117-131
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  1. Developing an Ear for the Modernist Novel: Virginia Woolf, Dorothy Richardson and James Joyce
  2. Angela Frattarola
  3. pp. 132-153
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  1. The Lyric's Shifting Voices
  2. Sarah Kerman
  3. pp. 154-158
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  1. Snapshots of the Impossible: The Image as Critique
  2. Lucas Wood
  3. pp. 159-163
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  1. The Politics and Aesthetics of Disability: A Review of Michael Davidson's Concerto for the Left Hand: Disability and the Defamiliar Body
  2. Andrew Gaedtke
  3. pp. 164-170
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  1. Editor's Introduction: Alternative Modernity
  2. Paula Marantz Cohen
  3. p. v
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  1. Call for Papers: Modernism in 1911
  2. p. v
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  1. Notes on Contributors
  2. pp. 171-173
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