1. The Graphic Novel and the Age of Transition: A Survey and Analysis
  2. Stephen E. Tabachnick
  3. pp. 3-28
  4. DOI: 10.2487/elt.53.1(2010)0050
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  1. Sherlock Holmes and the Problems of War: Traumatic Detections
  2. Catherine Wynne
  3. pp. 29-53
  4. DOI: 10.2487/elt.53.1(2010)0051
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  1. Closet Fantasies and the Future of Desire in E. M. Forster's "The Machine Stops"
  2. Ralph Pordzik
  3. pp. 54-74
  4. DOI: 10.2487/elt.53.1(2010)0052
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  1. Modernism and the Country House in Ford Madox Ford's The Good Soldier
  2. Mark D. Larabee
  3. pp. 75-94
  4. DOI: 10.2487/elt.53.1(2010)0053
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  1. Artifice & Text in the 1890s
  2. Stanley Weintraub
  3. pp. 95-98
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  1. Samuel Butler's Reputation
  2. Keith Wilson
  3. pp. 98-101
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  1. Teaching Oscar Wilde
  2. Annette Federico
  3. pp. 101-106
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  1. Wilde, Aesthetics, Consumer Culture
  2. John Peters
  3. pp. 106-107
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  1. Resituating Lionel Johnson
  2. Mackenzie Bartlett
  3. pp. 108-110
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  1. The Manuscripts of Yeats's Sophocles' Oedipus at Colonus
  2. K. P. S. Jochum
  3. pp. 111-114
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  1. The Playful Hopkins
  2. Rachel Salmon Deshen
  3. pp. 114-117
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  1. The Fairy Tale
  2. Benjamin F. Fisher
  3. pp. 117-118
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  1. Richardson, Myth & Tarot
  2. Scott McCracken
  3. pp. 118-122
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  1. Woolf & Postmodern Geography
  2. Patricia Laurence
  3. pp. 122-125
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  1. Art & Ontology
  2. Matthew Leone
  3. pp. 125-128
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