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Table of Contents

  1. "Sumptuously Re-edified": The Reformation of Sacred Space in Titus Andronicus
  2. Helga L. Duncan
  3. pp. 425-453
  4. DOI: https://doi.org/10.1353/cdr.0.0083
  5. restricted access
  1. Voices of Violence: Medieval French Farce and the Dover Cliff Scene in King Lear
  2. Edward Wheatley
  3. pp. 455-471
  4. DOI: https://doi.org/10.1353/cdr.0.0084
  5. restricted access
  1. "You were an actor with your handkerchief": Women, Windows, and Moral Agency
  2. Cynthia Lewis
  3. pp. 473-496
  4. DOI: https://doi.org/10.1353/cdr.0.0086
  5. restricted access
  1. Doing the Usual Things: Gender, Race, and Inwardness in Harley Granville Barker's The Marrying of Ann Leete and The Secret Life
  2. Christopher Wixson
  3. pp. 497-519
  4. DOI: https://doi.org/10.1353/cdr.0.0080
  5. restricted access
  1. The Discourse of Courtly Love in Seventeenth Century Spanish Theater (review)
  2. Hilaire Kallendorf
  3. pp. 521-524
  4. DOI: https://doi.org/10.1353/cdr.0.0087
  5. restricted access
  1. The Swastika and the Stage: German Theatre and Society, 1933-1945 (review)
  2. John London
  3. pp. 524-528
  4. DOI: https://doi.org/10.1353/cdr.0.0081
  5. restricted access
  1. Playing a Part in History: The York Mysteries, 1951-2006 (review)
  2. Nicole R. Rice
  3. pp. 528-532
  4. DOI: https://doi.org/10.1353/cdr.0.0082
  5. restricted access
  1. Shakespeare and Elizabeth: The Meeting of Two Myths (review)
  2. Linda Shenk
  3. pp. 533-535
  4. DOI: https://doi.org/10.1353/cdr.0.0078
  5. restricted access
  1. Brief Notices
  3. pp. 537-541
  4. DOI: https://doi.org/10.1353/cdr.0.0079
  5. restricted access
  1. Contributors
  3. p. 543
  4. DOI: https://doi.org/10.1353/cdr.0.0085
  5. restricted access