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Browse Book and Journal Content on Project MUSE

  Volume 50, Number 2, Summer 2009

Table of Contents

An Interview with Rae Armantrout

pp. 219-239 | DOI: 10.1353/cli.0.0065

The Closures of the Open Text: Lyn Hejinian’s “Paradise Found”

pp. 240-272 | DOI: 10.1353/cli.0.0067

Coming into Being: J. M. Coetzee’s Slow Man and the Aesthetic of Hospitality

pp. 273-298 | DOI: 10.1353/cli.0.0058

Gendered Muses and the Representation of Social Space in Robert Duncan’s Poetry

pp. 299-331 | DOI: 10.1353/cli.0.0060

The Art of Tuning: A Politics of Exile in Daniel Mason’s The Piano Tuner and Vikram Seth’s An Equal Music

pp. 332-362 | DOI: 10.1353/cli.0.0062

Scratching the Threshold: Textual Sound and Political Form in Toni Cade Bambara’s The Salt Eaters

pp. 363-396 | DOI: 10.1353/cli.0.0063

Book Reviews

The Politics and Production of Contemporary British Writing

pp. 397-407 | DOI: 10.1353/cli.0.0064

From Materialism to Romanticism: The Philosophical Progression of George Oppen’s Poetry

pp. 408-414 | DOI: 10.1353/cli.0.0066

The Red Power Novel: Revisiting Concepts of Knowledge, Identity, and Experience in American Indian Literature and Studies

pp. 415-423 | DOI: 10.1353/cli.0.0057

Epidemic Stories

pp. 424-435 | DOI: 10.1353/cli.0.0059



pp. 436-437 | DOI: 10.1353/cli.0.0061

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