1. Harry and Amurath
  2. Benedict S. Robinson
  3. pp. 399-424
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  1. “To throw out our eyes for brave Othello”: Shakespeare and Aesthetic Ideology
  2. Christopher Pye
  3. pp. 425-447
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  1. Shakespeare’s Citizen-Subject: Distracting the Gaze, Contracting the City: A Response to Christopher Pye
  2. Julia Reinhard Lupton
  3. pp. 448-453
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  1. Theory “After Theory”: Christopher Pye’s Reading of “Othello
  2. Hugh Grady
  3. pp. 453-459
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  1. William Shakespeare, “Our Roscius”
  2. Alan H. Nelson, Paul H. Altrocchi
  3. pp. 460-469
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  1. Speaking with the Dead: The RSC History Cycle, 2007–8
  2. Lois Potter
  3. pp. 470-480
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  1. The First Quarto of Romeo and Juliet (review)
  2. Jay L. Halio
  3. pp. 481-483
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  1. Shakespeare Found! A Life Portrait at Last: Portraits, Poet, Patron, Poems (review)
  2. Robert Bearman
  3. pp. 483-487
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  1. Shakespeare’s Ideas: More Things in Heaven and Earth, and: Soul of the Age: A Biography of the Mind of William Shakespeare (review)
  2. R. A. Foakes
  3. pp. 487-493
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  1. Shakespeare, “A Lover’s Complaint,” and John Davies of Hereford (review)
  2. John Jowett
  3. pp. 493-497
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  1. The Cambridge Companion to Shakespeare’s Poetry (review)
  2. Colin Burrow
  3. pp. 497-499
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  1. Shakespearean Metaphysics (review)
  2. Andrew Cutrofello
  3. pp. 499-502
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  1. Shakespeare’s Letters (review)
  2. Juliet Fleming
  3. pp. 502-504
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  1. Shakespeare’s Late Work, and: The Staging of Romance in Late Shakespeare: Text and Theatrical Technique (review)
  2. David McCandless
  3. pp. 504-507
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  1. The Key of Green: Passion and Perception in Renaissance Culture (review)
  2. F. Elizabeth Hart
  3. pp. 507-510
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  1. Vulgar Eloquence: On the Renaissance Invention of English Literature (review)
  2. Robert Matz
  3. pp. 510-513
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  1. Shakespeare’s Companies: William Shakespeare’s Early Career and the Acting Companies, 1577–1594 (review)
  2. Barbara D. Palmer
  3. pp. 513-515
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  1. Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre (review)
  2. Robert Hornback
  3. pp. 515-518
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  1. The Routledge Companion to Directors’ Shakespeare, and : Shakespeare’s Globe: A Theatrical Experiment (review)
  2. Paul Menzer
  3. pp. 518-523
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  1. Selling Shakespeare to Hollywood: The Marketing of Filmed Shakespeare Adaptations from 1989 into the New Millennium (review)
  2. Laurie E. Osborne
  3. pp. 524-526
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  1. Shakespeare Re-Dressed: Cross-Gender Casting in Contemporary Performance, and: Shakespearean Performance: New Studies (review)
  2. David Roberts
  3. pp. 526-528
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  1. Contributors
  2. pp. 529-532
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