1. “Excepting Himself”: Olaudah Equiano, Native Americans, and the Civilizing Mission
  2. Emily Donaldson Field
  3. pp. 15-38
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  1. “It translated well”: The Promise and the Perils of Translation in Maxine Hong Kingston’s The Woman Warrior
  2. Stella Bolaki
  3. pp. 39-60
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  1. Arabian Jazz and the Need for Improvising Arab Identity in the US
  2. Mazen Naous
  3. pp. 61-80
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  1. The Limits of Language: Literacy, Morality, and Transformation in Mary Antin’s The Promised Land
  2. Amy E. Dayton-Wood
  3. pp. 81-98
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  1. Zora Neale Hurston, Biographical Criticism, and African Diasporic Vernacular Culture
  2. Jason Frydman
  3. pp. 99-118
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  1. Gothic Signifying in Charles Chesnutt’s Mandy Oxendine
  2. Joanna Penn Cooper
  3. pp. 119-144
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  1. Conversion, Deconversion, and Reversion: Vagaries of Religious Experience in Oscar Zeta Acosta’s Autofictions
  2. Madeline Walker
  3. pp. 145-166
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  1. Search for Utopia, Desire for the Sublime: Cristina García’s Monkey Hunting
  2. Sean Moiles
  3. pp. 167-186
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  1. “Poor Visitor”: Mobility as/of Voice in Jamaica Kincaid’s Lucy
  2. Jennifer J. Nichols
  3. pp. 187-207
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  1. A Transnational Poetics (review)
  2. Anita Mannur
  3. pp. 209-211
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  1. All That Remains: Varieties of Indigenous Expression (review)
  2. Gina Caison
  3. pp. 213-215
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  1. Modernism, Race and Manifestos (review)
  2. Christopher D. Micklethwait
  3. pp. 217-219
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  1. Black Bodies, White Gazes: The Continuing Significance of Race (review)
  2. E. Lâle Demirtürk
  3. pp. 221-222
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  1. Hemispheric American Studies (review)
  2. Paul Lai
  3. pp. 223-225
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  1. Editor’s Introduction: Translation and Alternative Forms of Literacy
  2. Martha J. Cutter
  3. pp. 5-13
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  1. Contributors
  2. pp. 226-229
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  1. Editor’s Acknowledgments, MELUS Vol. 34 (2009)
  2. pp. 230-235
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