1. Influencing the Now and Future Faculty: Retooling Information Literacy
  2. Deborah L. Pierce
  3. pp. 233-248
  4. DOI: 10.1353/not.0.0251
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  1. Librarian in the Classroom: An Embedded Approach to Music Information Literacy for First-Year Undergraduates
  2. Sara J. Beutter Manus
  3. pp. 249-261
  4. DOI: 10.1353/not.0.0259
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 2003–2008
  2. Paula Hickner
  3. pp. 262-269
  4. DOI: 10.1353/not.0.0230
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  1. Notes for Notes
  2. pp. 270-274
  3. DOI: 10.1353/not.0.0256
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  1. A Theory of Musical Narrative (review)
  2. Kofi Agawu
  3. pp. 275-277
  4. DOI: 10.1353/not.0.0234
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  1. How the West Was Sung: Music in the Westerns of John Ford (review)
  2. Thomas Bauman
  3. pp. 278-279
  4. DOI: 10.1353/not.0.0236
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  1. Social Dancing in Peter the Great’s Russia (review)
  2. Claudia R. Jensen
  3. pp. 279-282
  4. DOI: 10.1353/not.0.0237
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  1. Dark Side of the Tune: Popular Music and Violence (review)
  2. Brandon P. Masterman
  3. pp. 282-284
  4. DOI: 10.1353/not.0.0254
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  1. Fiddling in West Africa: Touching the Spirit in Fulbe, Hausa, and Dagbamba Cultures (review)
  2. Amanda Villepastour
  3. pp. 284-286
  4. DOI: 10.1353/not.0.0249
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  1. Southern Fiddlers and Fiddle Contests (review)
  2. Carl Rahkonen
  3. pp. 287-288
  4. DOI: 10.1353/not.0.0258
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  1. Paul Clayton and the Folksong Revival (review)
  2. Morris S. Levy
  3. pp. 288-290
  4. DOI: 10.1353/not.0.0253
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  1. Déodat de Séverac: Musical Identity in Fin-de-Siècle France (review)
  2. Michael Strasser
  3. pp. 290-293
  4. DOI: 10.1353/not.0.0240
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  1. Debussy’s Late Style (review)
  2. Mark DeVoto
  3. pp. 293-295
  4. DOI: 10.1353/not.0.0235
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  1. About Bach (review)
  2. Matthew Dirst
  3. pp. 297-300
  4. DOI: 10.1353/not.0.0241
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  1. Bolognese Instrumental Music 1660–1710: Spiritual Comfort, Courtly Delight and Commercial Triumph (review)
  2. Carrie Churnside
  3. pp. 301-303
  4. DOI: 10.1353/not.0.0246
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  1. Sergey Prokofiev and His World, and: The People’s Artist: Prokofiev’s Soviet Years (review)
  2. Albrecht Gaub
  3. pp. 303-308
  4. DOI: 10.1353/not.0.0257
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  1. Music and Architecture: Architectural Projects, Texts, and Realizations (review)
  2. Martin Iddon
  3. pp. 308-311
  4. DOI: 10.1353/not.0.0229
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  1. American Muse: The Life and Times of William Schuman (review)
  2. Andrea Olmstead
  3. pp. 311-313
  4. DOI: 10.1353/not.0.0232
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  1. American Composer Zenobia Powell Perry: Race and Gender in the 20th Century (review)
  2. Renée McBride
  3. pp. 313-316
  4. DOI: 10.1353/not.0.0243
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  1. John Zorn: Tradition and Transgression (review)
  2. Kent Underwood
  3. pp. 316-318
  4. DOI: 10.1353/not.0.0260
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  1. Mission Impossible: My Life in Music (review)
  2. Anthony Bushard
  3. pp. 318-321
  4. DOI: 10.1353/not.0.0242
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  1. The Innumerable Dance: The Life and Work of William Alwyn (review)
  2. John C. Dressler
  3. pp. 321-323
  4. DOI: 10.1353/not.0.0231
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  1. Books Recently Published
  2. Karen R. Little, James Procell
  3. pp. 324-376
  4. DOI: 10.1353/not.0.0238
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  1. Orchestral Music Online (review)
  2. Paul Cary
  3. pp. 377-380
  4. DOI: 10.1353/not.0.0245
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  1. The American Orchestra as Patron and Presenter, 1945–Present: A Selective Discography
  2. Michael Mauskapf
  3. pp. 381-393
  4. DOI: 10.1353/not.0.0233
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  1. Briefly Noted
  2. Rick Anderson
  3. pp. 393-398
  4. DOI: 10.1353/not.0.0262
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  1. American String Quartet Masterpieces (review)
  2. Christina Bashford
  3. pp. 399-402
  4. DOI: 10.1353/not.0.0252
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  1. New Editions from G. Henle Verlag
  2. James Wintle
  3. pp. 402-405
  4. DOI: 10.1353/not.0.0247
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  1. Swiss Music to Watch (and Hear)
  2. Philipp Blume
  3. pp. 405-408
  4. DOI: 10.1353/not.0.0255
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  1. Music Publishers’ Catalogs
  2. George R. Hill
  3. pp. 416-419
  4. DOI: 10.1353/not.0.0250
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  1. Communications
  2. Michael Scott Cuthbert
  3. p. 420
  4. DOI: 10.1353/not.0.0239
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  1. Index to Advertisers
  2. p. 422
  3. DOI: 10.1353/not.0.0263
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  1. Music Received
  2. David Knapp
  3. pp. 409-415
  4. DOI: 10.1353/not.0.0261
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