1. I Like(d) Mike: Learning from Riffaterre
  2. Mary Shaw
  3. pp. 7-15
  4. DOI: 10.1353/esp.0.0201
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  1. Replacing Literary History: With Hypograms or Paragrams?
  2. Stamos Metzidakis
  3. pp. 16-30
  4. DOI: 10.1353/esp.0.0200
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  1. Les Chants de Maldoror: plaisir de la négation, négation du plaisir
  2. Eloïse Sureau
  3. pp. 31-43
  4. DOI: 10.1353/esp.0.0192
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  1. Retour sans retour: Michael Riffaterre, chasseur de textes
  2. Adelaide M. Russo
  3. pp. 44-58
  4. DOI: 10.1353/esp.0.0196
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  1. Avian Ways: Influence and Innovation in Lucretius and Vergil
  2. Sarah Spence
  3. pp. 59-69
  4. DOI: 10.1353/esp.0.0198
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  1. De la poésie sale de Tchicaya U Tam’si (suivi d’une note réflexive sur Riffaterre)
  2. Daniel Delas
  3. pp. 70-78
  4. DOI: 10.1353/esp.0.0193
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  1. Texts versus Documents: The Case of Pélagie-la-Charrette
  2. Jean-Jacques Thomas
  3. pp. 79-93
  4. DOI: 10.1353/esp.0.0191
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  1. Cultural Damage and Some Literary Repair (Condé, Carn et al.)
  2. Steven Winspur
  3. pp. 94-106
  4. DOI: 10.1353/esp.0.0199
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  1. Elements of a Mystery Play in Madame Bovary: mœurs de province
  2. Peter S. Rogers
  3. pp. 107-120
  4. DOI: 10.1353/esp.0.0197
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  1. Index, Volume XLXIX (2009)
  2. pp. 121-122
  3. DOI: 10.1353/esp.0.0194
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  1. Introduction: A Science of Joy
  2. Steven Winspur
  3. pp. 1-6
  4. DOI: 10.1353/esp.0.0195
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